|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Spinning song–Bee’s Wedding |
|
|
|
|
|
|
|
|
|
| Wrote over 100 lieders in 1840 |
|
|
|
| Fell in love with Clara, Wieck’s daughter |
|
|
|
|
|
|
| High freedom of expression |
|
|
|
| Perfect balance of orchestra and piano emphasized by Mozart |
|
|
|
|
|
|
| Incomplete movement for 4 years |
|
|
|
|
|
|
| Music pertaining to the night |
|
|
|
|
|
|
| Pieces that emphasize different aspects of piano technique |
|
|
|
|
|
|
| A polish dance borrowed by Chopin, who wrote character pieces. 60 stemmed from peasant class |
|
|
|
| #21 nostalgia; #22 melancholy |
|
|
|
| Dance for the rich. Chopin wrote these, but not to be danced to. |
|
|
|
|
|
|
|
|
|
| Fantasy in ABA form and coda |
|
|
|
|
|
|
|
|
|
|
|
|
| Known as the greatest pianist of all time |
|
|
|
| A concert that features one star performer |
|
|
|
| Wrote 19 Rhapsodies, nationalistic pieces |
|
|
|
|
|
|
| One of Beethoven’s in the symphony |
|
|
|
| Final reconciliation of classicism in the late 19th century |
|
|
|
| Used counterpoint and motivic development |
|
|
|
| Self critical on his music (Discarded works) |
|
|
|
| Wrote only 4 symphonies. First wasn’t complete until age 43 |
|
|
|
| Gives the first movement its intellectual appeal. Follow 3 parts of exposition, development, and recapitulation |
|
|
|
| German honorary degree for severe german composer |
|
|
|
| Academic Festival Overture |
|
|
|
|
|
|
| Character Piece Intermezzo |
|
|
|
|
|
|
|
|
|
| Compromise between absolute and program music |
|
|
|
| Emphasis on tone color with brass and woodwinds |
|
|
|
| Symphony #4 with fate theme |
|
|
|
| Highly virtuosic writer, but didn’t play piano or violin |
|
|
|
| Used octive technique, last note same as first, but higher in pitch. |
|
|
|
|
|
|
|