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3 “Rusumovsky” quartets “Harp” “Serioso” |
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Beethoven String Quartet Opus 131 |
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“Death and the Maiden” Quartet |
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Names of the 5 Big Song Cycles |
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Frauenliebe und leben, Dichterliebe, Winterreise, Die Schone Mullerin, An die Ferne Gelebte |
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Schubert’s Characteristic Experiments |
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Chromatic shifts into and out of diatonic keys, folklike themes, folksong ideal, unusual approaches to sonata form |
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Herder (“On The Origins of Language”, 1772) |
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Categorical imperative, 1788 |
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Five Aesthetic Strategies |
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Poetic ideas (political, natural, contemplative), Primal Gesture, Monumentality, Individuality, Dramatic Coherence |
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Examples: Beethoven Political Pieces |
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3rd Symphony (1804), 5th Symphony (1808), Coriolan (1807) |
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Example: Beethoven Nature Piece |
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Beethoven’s 6th Symphony (1808) |
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Example: Beethoven Deep Personal Contemplation |
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Opus 131 String Quartet (1826) |
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Example: Beethoven Primal Gesture |
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Coriolan Introduction (1807) |
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Example: Beethoven Monumentality |
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Beethoven’s 3rd (1804), 5th (1808), 9th (1824), Diabelli Variations (1819), Op. 131 (1826), Op. 132 (1826) |
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Example: Beethoven Individualization |
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9 symphonies, Beethoven 3rd (1804) |
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Example: Beethoven Dramatic Coherence |
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Schumann’s Three Imaginary Friends |
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Florestan (forceful), Eusebius (poetic), Raro (mediator) |
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