| Fucked-up chromatic fugue subject
harpsichord |
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Really annoying, mocking, trilly
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harpsichord |
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Le carillon de Cithere
Couperin
1722 |
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| Repeated annoying arpeggios
harpsichord |
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| Minor mode, B section broken-record repetitions every bar
harpsichord |
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| Parallel descending head motive
harpsichord |
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| Ornamented, absurdly fast scalar passages a la flight of the bumblebee, spastic/sectionalized, “pirates” |
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Les fastes de la grande et ancienne Menestrandise
Couperin
1717 |
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| Really fast arpeggios in the bass with a slower melody up top
harpsichord |
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| Famous head motive, really obnoxious counter-motive
Organ |
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| Slower, legit bass-line
Organ |
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Passacaglia and Fugue in c
Bach
1713 |
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| Important I63 Chord, staccato, concern over proper bass writing
Violin Concerti |
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| Only trio sonata, opens with a plagal cadence, feels earlier
Violin Concerti |
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| Faux-Classical, reminiscent of Carmen
Orchestral |
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| Arpeggios, fragments of Pachelbel, octaves
Orchestral |
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Sinfonia #3
Sammartini
1740 |
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| Triple hammer blow, fortspinnung, modern sound
Orchestral |
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| Suspensions, long arpeggiations, boring and unremarkable slow movement.
Orchestral |
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Symphony in A
Wagenseil
1750 |
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