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named after pope gregory
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mass
celebration of the holy communioin
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Kyrie, Gloria, Credo, sanctus, agnus dei
example: Missa something by: Dufe
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Patriarch that recognized the power of music |
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emperor that unified liturgy and music, but also everything |
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indicate pitches or groups of pitches in a chant |
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series of services held at specified times: featured psalm singing |
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Ordinary: everyday
Proper: specific days
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syllabic, neumatic, melismatic |
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responsorial vs. antiphonal |
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solo and choir, two groups of performers |
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melismatic ending of alleluia |
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melodic formula used to recite psalms according to eight tones |
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plainchant sung before a psalm or chant |
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fanalis: ending pitch in a mode
ambitus: range of a mode
authentic: range is octave above fanalis
plagel: fifth above fourth below |
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psalmisation: guidonian hand |
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ut, re, mi, fa, sol, la: way to learn psalmisation |
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entire range of available pitches |
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hard= B natural
soft= B flat
neutral= no B
W, W, H, W, W
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performers determine which notes are sharp/flat in performance |
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adding notes and/or words to existing chant: just text |
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liturgical drama, Hildegard Von Bingen, ordo vir tutum |
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drama in a mass, first woman to do this, her most famous piece about the devil |
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original plainchant with added voice |
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together, one is faster than the other |
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St. Martial- Aquitanian Polyphony |
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center for the production and collection of medieval chant and polyphony |
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Notre Dame organum: measure vs unmeasured |
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two voices move about same speed: one holds other melismaticizes |
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perotin was leonin’s student, added triplum and duplum
notre dame;
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great book of organum by leonin and perotin |
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rhythmic modes, ligatures |
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modes are made from ligatures which are groups of 2+ notes |
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Clasula/Substitute clasula |
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substitute for part of organum |
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new text to existing clasula, secular |
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metered poem used in music |
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notes shapes determined duration |
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long notes vs. short notes in mensural notation |
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french; song lighter and chordal, homorhythmic, vertical sonorities
Sermisy and Janequin were big
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secular vocal composition for multiple voices |
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group of singers virtuosic |
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madrigal sub genre less literary and less elaborate |
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german, tenor song, secular |
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tradesmen/craftsmen who sang |
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spanish song at this time |
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english version, Morley wrote some |
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strophic madrical notated for the lute |
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martin luther brought about the musical aspect of the change |
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congrational singing of hymns |
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anthem- full vs. verse:byrd |
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english motets chorus: chorus and solo |
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council of trent met to revise the catholic church |
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palestrina: missa papae marcelli |
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accepts thirds and sixths as consonant |
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any arrangement of existing music for strings or keyboard |
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melody and variations, spanish |
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composition seeks out specific mode or theme |
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freely composed work unrelated to anything else |
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free flights of imaginative composition |
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dance music: susato and praetorius |
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syntactic form vs. paratactic form |
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central idea is presented and varied: each new section presents a new idea |
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mannerism, musica reservata |
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term from art history to describe sculpture and painting |
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writing in musical mannerism |
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