admin 24 Dec 2017 0 Comments Ionian I: 7, 3, 9 Hire a custom writer who has experience. It's time for you to submit amazing papers! order now C: 6, 5 (no 4) Dorian I: ♮6, ♭3, ♭7 C: 9, 5, 4 Phrygian I: ♭2, 5, 4, ♭7 C: ♭3, ♭6 Lydian I: ♯4, 7, 3 C: 6, 9, [5] Mixolydian I: ♭7, 3 C: 9, 6, 5 (no 4) Aeolian I: ♭6, 2, 5, ♭3 C: ♭7, 4 Locrian I: ♭5, ♭2, ♭7, ♭6 C: ♭3, 4 Dorian ♮7 I: 7, ♭3, 6 C: 9, 5, 4 Mixolydian ♭6 I: ♭6, ♭7, 3 C: 9, 5, 4 Mixolydian ♯4 I: ♯4, ♭7, 3 C: 6, 9, 5 Lydian ♯5 I: ♯5, 7, 3 C: ♯4, 6, 9 Aeolian ♭5 / Locrian ♯2 I: ♭5, ♭7, 9, 11 C: ♭6, ♭3 Phrygian ♮6 I: ♮6, ♭2, 4 C: ♭7, ♭3, 5 Superlocrian (Altered) I: ♭4, ♭7, ♭6, ♭2 C: ♭3, ♭5 Related posts: theory 4 test 1 Major Modal Relative Roots II Major Modal Relative Roots music and scales Jazz Modes Scales Music Theory Chapt 30 Jazz Harmony Scales/Chords Staff Notes — Color