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Xylophone like Idiophone of the Mande people of West Africa Identified with Jeliya traditions Wooden slats are tuned, gourd resonates Membrane placed over hole in resonator to create buzzing sound |
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lighting fast, literally means flare up like a match Best known type of Balinese gamelan |
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More majestic sounding, slower tempo |
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An ornamentation used in Irish melodies |
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continuously sustained tone Commonly seen in Indian raga and Irish Traditional Music (Drone Pipes) |
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Large Egyptian frame drum |
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Upeat dance rhythm traditionally used in accompaniment of Egyptian rural folk dances; also used to evoke “peasant” image in raqs sharqi, belly dance, and Egyptian folklore dance |
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Features of West African Music |
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Complex polyphonic textures; Layered ostinatos with varied repitition; conversational element; Improvisation; Timbral variety; Distinctive pitch systems and scales |
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Akan royal drum ensemble, featuring several drums and gongon iron bell (African) |
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Generic Indonesian term for ensemble or orchestra, used in reference to diverse class of mainly percussion dominated music ensembles (Bronze gongs, metallophones, drums, end-blown bamboo flutes) |
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Iron cowbell that creates a repeating ostinato (Africa and Latin America) |
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Combination of same rhythmic line with variations (by two or more performers) Found in Irish Music (different ornaments) Egyptian Sufi Chant Chinese music |
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Originally sung by migrant workers in South African mines used in choir competitions in Durban & Johannesburg Rich harmonies, call and response, choreography “The Lion Sleeps Tonight” |
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the artistic culture of the jeli, including its priase songs and instrumental music traditions |
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A Mande griot, most leading jelilu are descended from a hereditary jeli family Instrumentalists play specific Jeli instruments |
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commonly used dance rhythm in Irish music (Triple Meter) |
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Balinese dance drama that employs a gamelan of voices as its sole musical accompaniament; Music features complex interlocking rhythms derived from the kilian telu |
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Set of three interlocking rhythmic patterns that are an integral component of much Balinese music; basis of the interlocking cymbal patterns in gamelan beleganjur music and of the interlocking vocal patterns in Kecak |
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Instrument (Chordophone) 21- string Spike Harp Geli Instrument Melodic Instrument |
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lively, quick-tempoed Egyptian dance rhythm often heard in the opening numbers of raqs sharqi and belly dances |
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Term for mode in arab music; part of a large modal system comprising many maqamat Ascending/descending tone Microtone/Ornamentation Assosciated with Emotions |
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Very commonly used Egyptian dance rhythm; comes in sever varieties and may be played at different tempos |
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large, deep-toned tambourine with large cymbals |
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Aerophone (flute)Egyptian/Arab Part of Takht |
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The western representation of the orient (writing, art) steortyping them as exotic |
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Ancient Chinese zither-type chordophone with 7 strings, no bridges; quintessential Chinese instrument of gentlemen/scholars Confucious played one Music of educated people for meditation Overtones, small volume, no for audience |
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Highly complex and elaborate melodic system in Indian Music: -hundreds -ascending/descending patterns -specific ornamentations -expresses a mood or emotion, associated with time of day |
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Free rhythm, beginning of Raga with drone |
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Egyptian ‘folk dance’, implies rural culture or origins; encompasses traditional dance of women’s gatherings |
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Professional entertainment medium of women’s dance, associated with weddings, clubs, films and media |
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Most popular Irish dance rhythm, duple meter |
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Arab/Egyptian Tambourine, part of takht ensemble, part of Zaar rhythm |
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Afro-Cuban religion based on traditional West African religious practices of the Yoruba people syncretized with Catholicism. SAcred ritual music employing the bata drums is central. |
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The old way songs, sung in Irish Gaelic, revered as the cornerstone of Irish Traditional music |
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Informal gathering where musicians playing different instruments come together to perform traditional Irish tunes and newer tunes modeled after them, but not generally to accompany dancing |
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goblet shaped, single headed lead drum |
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Principle percussion instrument in N. Indian music, consists of two drums- a higher pitched and lower pitched |
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Improvised form of maqam, has rules |
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From middle-east, hollow, strings affect timbre |
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