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| Austrian composer.Wrote Erlkonig. |
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| German Composer who wrote Im Wunderschonen Monet Mai and Die Alten bosen and the Carnaval pieces. |
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| Polish composer who wrote Nocturne in F sharp |
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| French composer best known for his Fantastic Symphony |
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| Italian composer of operas, wrote Aida. |
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| German composer who wrote The Valkyrie. |
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| Russian composer who wrote Romeo and Juliet |
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| German composer who wrote Violin Concerto in D |
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| Austrian composer who wrote Symphony 1: Funeral March |
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| German term for art song, poems set to music. |
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| a group of songs designed to be performed in a sequence as a single entity. |
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| piano music based on a single idea or program (for example Chopin’s nocturnes) |
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| the instrumental introduction to a dramatic, choral or, occasionally, instrumental composition. |
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| music of a narrative or descriptive kind(for example, Berlioz’s Symphonie Fantastique). |
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| a piece of orchestral music in a single continuous section (a movement) in which the content of a poem, novel, or painting is evoked. First coined by Liszt for his works. |
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| is relatively continuous, non-sectional, and/or non-repetitive. A song is said to be through-composed if it has different music for each stanza of the lyrics. |
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| verse-repeating or chorus form. for example: Hymns |
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| a complex artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe |
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| “Beautiful Singing”, opera term |
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| referring to a recurring theme, associated with a particular person, place, or idea. |
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| A city in Germany where Wagner’s operas are performed |
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| was the political and social movement that united Italy |
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| expansion of symphonic ensemble (especially in winds, brass, and percussion) |
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| unusual instrumental colors |
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| exaggerated dynamic contrasts |
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