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| A melodic or thematic idea which is played against a primary subject. |
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| The initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied. |
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| A passage between statements of a main subject or theme, as in a rondo or fugue. |
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| A musical work is a composition usually in three parts or movements, in which (usually) one solo instrument (for instance, a piano or violin) is accompanied by an orchestra. |
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| A form of baroque music in which the musical material is passed between a small group of soloists |
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| Self contained piece of music that is part of a larger work |
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| A recurring passage for orchestra (or chorus) in the first or final movement of a solo concerto or aria. |
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| Bass part that moves in absolutely even notes. |
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| Bass part that is always linked to a series of chords |
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| Numerical shorthand for Continuo |
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| Baroque music contains a lot of subtly shifting
dynamics rather than abrupt changes in volume.true or false? |
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| Baroque rhythm often contains… |
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Baroque melodies are often: long and complex
The most common texture for late Baroque music is: |
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| The standard Baroque basso continuo consists of: |
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| A harpsichord and a bass instrument |
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| The basso continuo provides _________ in Baroque music: |
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| Which of these composers spent most of his career in Venice? |
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| Most composers in the Baroque Era made a living by: |
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| Working for aristocratic patrons or the church |
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| “Terraced dynamics” in Baroque music refers to: |
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| Alternating between loud and soft sections |
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Baroque composers of instrumental music attempted to
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depict one mood, or ________, over the course of a piece. |
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| The figured bass used by basso continuo players indicates basic chords by use of: |
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| Players of the harpsichord are not able to make gradual changes in: |
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| A _________ is a self-contained portion of a larger composition. |
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| piece that features a small group of soloists pitted against a larger group of players is a: |
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| A ritornello is a:
Theme that returns over and over in a concerto movement |
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| In a concerto grosso, the second movement is most often: |
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| the quietest and most lyrical |
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| Tutti and solo sections alternate |
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| Polyphonic composition based on one main theme is known as a: |
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| The structure of the Baroque concerto most often consists of __________ movements. |
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| The subject of a fugue can be turned upside down in a procedure known as: |
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| In many fugues, the subject in one voice is accompanied by a/n __________ in another voice. |
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