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| Non-pulsatile melodic introduction in Indian music |
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| Non-pulsatile melodic introduction in Indian music |
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| Beat grouping in South Indian Meter |
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| Contrasting section in South Indian vocal forms |
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| Ascending/Descending Scale in India |
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| Tala cycle in North Indian meter |
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| Tala cycle in South Indian meter |
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| Indian transverse bamboo flute |
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| Religion/Ethnic group in Bengal and Bangladesh |
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| Composes South Indian devotional songs |
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| North Indian classical stick zither |
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| Indian Drumming Syllables |
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| section in South Indian vocal forms |
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| The main style of classical music in southern India |
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| Folk ensemble from Kerala, India |
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Either:
-A major chord with a descending bassline
-Sanskrit for nation or country |
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| An Indian drumming syllable |
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| An Indian drumming syllable |
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| Long classical North Indian vocal form |
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| Long classical North Indian vocal form |
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| Long, unchanging tone essential to Indian music |
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| Long, unchanging tone essential to Indian music |
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| Songs originating in popular films |
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| Characteristic ornamentation in Indian raga performance |
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| Metered part of North Indian instrumental performance |
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| Music teaching tradition in India |
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| Tradition of North Indian music |
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| A form of vocal Hindustani music in which there is a strong focus on emotion and improvisation |
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| Extemporaneous decisions in musical performance |
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| Indian technique of interpolating drone pitches between melody notes |
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| Quasi-pulsatile section in Hindustani music. |
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| The main style of classical music in southern India |
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| Deemphasized beat in Indian tala cycle |
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-One of the ten parent scales (Thaats)
-Specific Raga in Khamaj Thaat |
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| A style of Hindustani classical singing in which there is much improvisation. |
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| Lowered Indian scale step |
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| Japanese aesthetic principle; Refers to open space |
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| Repeated spiritual textual formula |
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-South Indian scale system
-Seven-note scale used in Ragas |
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| Double-headed cylindrical drum of South India |
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| Ancient Indian text of music and drama theory |
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| Seventh scale degree in Indian music |
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| The seventh scale degree lowered one semitone |
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| South Indian vocal improvisational style |
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| The seventh scale degree in indian music |
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| Characteristic motive in Indian raga |
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| Double-headed cylindrical classical drum of North India |
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| South Indian vocal refrain |
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| A section of music containing the refrain (Pallavi) and a contrasting section (Anupallavi) |
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| A section of music containing the refrain (Pavalli) and verse (Caranam) |
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| Basis of melodic improvisation in India |
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| Basis of melodic improvisation in India |
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| A specific improvisational scale based on the Khamaj Thaat |
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| The first section of a Ragam-Tanam-Pallavi piece |
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| Collection of paintings symbolically illustrating Indian raga |
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| A long South Indian vocal form |
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| The second scale degree in Indian music |
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| Term for the second scale degree in South India |
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| Sa, Re, Ga, Ma, Pa, Dha, Ni |
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| Solfege syllables in Indian music |
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| First beat of the Indian tala cycle |
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| Secondary stressed pitch in Indian raga |
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| Indian double-reed instrument |
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| Notation symbol that indicates that a pitch should be lowered one semitone |
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| Indian fretted plucked lute |
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| Pattern of South Indian drumming syllables |
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| Microtone or step in Indian tuning system |
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| South Indian reed organ used as a drone instrument |
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| Scale steps in Indian music |
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| South Indian vocal improvisation on solfege |
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| Pair of Indian hand drums |
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| The first beat of Vibhag (Section of a Tala) that are neither Sam (First, emphasized beat) or Khali (Unemphasized beat) |
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| Fretless lute for playing drones in India (North India) |
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| Fretless lute for playing drones in India (South India) |
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| Quasi-pulsatile section which follows the Ragam in the Ragam-Tanam-Pallavi format |
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| Indian sympathetic strings |
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| Pattern of North Indian drumming syllables |
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| North Indian light classical romantic songs |
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| South Indian vocal form to accompany dance |
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