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| the music information that is being conveyed, such as pitch, articulation, dynamics etc. |
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| the typeface and layout used to present the music information |
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| Common Practice Period (CPP) |
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| Baroque, Classical, Romantic eras of music |
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| a musical style of the late 14th century using more complex rhythms and musical figures than previous eras |
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| notation from the ars subtilior in which (among other things) changes in note durations are indicated by the colour of the note, not by a change or addition of symbol |
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| adjusting the layout and spacing of materials so that they are evenly distributed |
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| refers to a notation system where the notation has no associated attributes of pitch, duration etc. |
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| a notation system where each symbol is identified as having specific attributes such as pitch or duration |
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| for score input, the type of interface that allows information to be entered |
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| for software, the manner of operation and the actions allowable |
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| the entry of musical data through performance |
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| the entry of musical data in non-real time |
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| the traditionally laid out computer or typewriter keyboard |
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| a music keyboard such as found on piano, harpsichord, organ or clavichord |
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| a protocol for the exchange of music notation information between notation programs |
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| a protocol for the exchange of files containing music notation, audio and video, html code and MIDI data |
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| Enigma Transportable File (ETF) |
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| a text-based file exchange format that allows for the exchange of FInales files via e-mail without being corrupted |
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| a limited online editor viewer designed to support commercial distribution of music scores |
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| a limited online editor viewer designed to support commercial distribution of music scores |
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