|
|
| a philosophy of the emotional power of music (Baroque) |
|
|
|
| invented opera as a revival of ancient Greek drama (Baroque) |
|
| What are the Elements of Opera? |
|
Recitativo – created as a type of singing narrative, which in opera accelates the plot
Arias- Airs or songs, mostly performed by soloists
Chorus- large voice ensemble, (Greek:Dance)
Dance- stage dance is especially important in opera in the Baroque
Overture- orchestral introduction to the opera
(Baroque) |
|
|
|
| Eurydice by Jacopo Peri (Baroque) |
|
| What was the first public opera? |
|
| Orfeo by Claudio Monteverdi (Baroque) |
|
| What do Oratorios and Cantatas share with Opera? |
|
the same elements as opera besides dance
Recitativo – created as a type of singing narrative, which in opera accelates the plot
Arias- Airs or songs, mostly performed by soloists
Chorus- large voice ensemble
Overture- orchestral introduction to the opera
(Baroque) |
|
|
|
accompanies Recitatives, is the most characteristic feature of Baroque music
– played by harpsichord, cello, bass, organ (Baroque) |
|
|
|
originally, a generic instrumental work (pg. 120)
Da Camera- similar format as a suite
Da Chiesa- four movements, each in binary form
Trio sonata- sonata for a trio, develops into standard sonata ( 2 hands on keyboard and a featured instrument)
(Baroque) |
|
|
|
| work for orchestra and soloist (Baroque) |
|
|
|
with multiple soloists
-ritornello form
-ripieno, concertino (Baroque) |
|
| Suite (Collection of Dance movements) |
|
(pg. 128)
A B- binary
A B A- ternary
(Baroque) |
|
|
|
pg. 105
polyphonic, imitative work for 3/4 voices
Subject
Countersubject
Answer
Epsiodes
Stretto
Pedal Point
Inversion
Retrograde
Augmentation
Diminution
(Baroque) |
|
|
|
JS Bach writes the archtype for fugue. He frequently began with a prelude. Later in history fugue used in other works as a developmental idea (fugato)
(Baroque) |
|
| When was the Baroque Era? |
|
|
| When was the Classical era? |
|
|
| What were the new genres in the Classical Era? |
|
| Symphony and String Quartet (Classical) |
|
| What are the four movement configurations typical in symphonies, string quartets, and sonatas? |
|
movement 1- Sonata- allegro form
movement 2- Slow movement – typically Theme and Variations
movement 3- Minuet and Trio
movement 4- Fast- typically Rondo or Sonata-Rondo form
(Classical) |
|
| Sonata-allegro form (Four movement configurations typical in symphonies, string quartets, and sonatas) |
|
and is the 1st moevement
Exposition
Development
Recapitulation
[Coda]
(Classical) |
|
| Theme and Variations (Four movement configurations typical in symphonies, string quartets, and sonatas) |
|
2nd movement the theme is repeated over and over and is changed each time.
(A) variation 1
(A’) variation 2
(A”) variation 3 and so on(Classical) |
|
| Minuet and Trio (Four movement configurations typical in symphonies, string quartets, and sonatas) |
|
movement 3
A B A (Classical) |
|
| Rondo (Four movement configurations typical in symphonies, string quartets, and sonatas) |
|
movement 4- fast
A B A C A (Classical) |
|