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| Death of hip hop, challenges status quo, innovation and flexibility, post hip hop generation, historical patterns |
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| Money making device, used to be buyers market now sellers market *, Pan African state of mind, social change vs drugs money, potential death of hip hop |
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| Commercial appeal not considered at beginning, from live to studio, began as dance, improv and flexibility, bragging, control over language, gangster, meaning of lyrics changing, all elements worked together now fragmented, shift to single member |
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| DJ Kool Herc, obscure records, rapping djs |
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| Caribbean sound systems, dj herc base bambaataa and flash pillars, conversation about hip hop |
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| evolution of hip hop in the Bronx, graffiti and photojournalism, Fab 5 Freddy, it became a culture with the addition of art. Graffiti on canvasses, |
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| HHNL Hip Hop Nation language, African American language, regional variability, sombo of speech music and writing, links with police brutality and incarceration etc, benjamins, whats crackalackin, |
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| Politics of graffiti, mayor trying to erase graffiti ny magazine giving support, the mayor had negative thoughts of graffiti, opposite opinion, enough people in a movement people ultimately in conntrol |
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| Post-industrial movement of the 90s |
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| Authenticity, realness, trye to self v mass trends, underground v commercial, hard v soft, streets v suburbs, old school v mainstream |
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| Eminem separating real story from fiction, people from his class deal with, authenticity and eminem |
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| Rap is petulent, raw and screaming with vibrant and violent images, principal medium for black youth to express views of the world, turbulence and chaos of own lives |
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| Asian American mcs, race, authenticity |
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| dirty south, srtrip club,affects lyrics and video imagery, a male space, southern artists and listenerss redefining the south |
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