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| blind electric tres player, band leader |
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| piano player for arsenio rodrigues |
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| small pair of drums, always as a set |
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| section in the rumba where the vocal portion of the song that is usually improvised |
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| band leader in Havana in the 1950’s. Singer, directed and conducted in the HayDay of the Cuban music, few female band leaders/stars of popular cuban music |
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| pair of sticks, also the rhythm this is played with this instrument is essential in Cuban music |
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| long cuban drum, part of rumba, Aresenio Rod made it the central rhythmic voice of “son” |
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| shared collection of habits |
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| half sung, half spoken intro to the rumba and modern day salsa |
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| cultures move from boundary to boudary |
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| record company in new york, responsible for putting cuban music back on everyone’s screen. Came up with the term “salsa” |
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| idea that healthy societies are like healthy bodies. Have boundaries and all must be working together to be healthy |
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| song style from eastern cuba. rural style country music |
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| Capital of Cuba. “Son” developed. |
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| rural mountainous small farm area. southeasten area part of cuba. small tobacco farmers are predominant population |
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| street dance style developed in havana in 19th and 20th century. Elements became part of song |
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| American record producer, went to cuba found these old musicians (Buena Vista), opened up salsa and song to mainstream middle class americans |
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| marketing term for son developed in New York by record company |
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| syncretic religion of cuba, combines Yoruba and Catholicism |
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| seven musicians, especially includes the trumpet |
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| chief orisha or Yoruba religion, west african thunder god |
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| whole stream of cuban (and Camerican) music in American music |
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| idea of culture affects the mind |
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| combines elements of two very different cultures into something new(catholic and yoruba) |
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| huge star of salsa music in NY 60’s-90’s. fania recording star and band leader |
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| (inside to out) music, performers, audience, community, history. |
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| titon music-culture onion model. |
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| type of guitar from cuba. essential element |
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| largest ethnic group in west africa, culture in new orleans |
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| Nova Scotia, Canada( Nova Scotia means “new scotland”) |
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| revolutionized the accordion during the 1920’s and 30’s. Was part of the first “professional” cajun black/white duo |
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| four beat pattern accented on beats 2 and 4, essential beat of rock |
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| post WWII cajun musicians, responsible for the rebirth of Cajun music(renaissance), went to Newport folk festival in 1964 caused huge sensation. Caused cajun music to be considered american contemporary music |
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| adaption from the word Acadian |
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| period after WWII where the rebirth of pride and excitement around cajun music |
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| old fashioned rhythm played on the accordion in cajun music |
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| first big star of Zydeco music, creole accordion player(piano accordion), played song “beans aren’t salted” in the 50’s |
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| lived in Louisiana before Cajuns got there. French speaking people of mixed races. means great |
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| amede ardion partner, cajun fiddle played, traveled in the 1930’s and played his whole life |
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| corrugated metal vest in the zydeco music, rubbed bottle openers on it, used for percussion |
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| guys that got rid of accordion and chanky chank, added strings(extra fiddles, guitars, string bass) |
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| Les haricots sont pas sale |
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| “beans have no salt”, hit song by Clifton Chenire, gave the genre Zydeco it’s name in the 1950’s |
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| huge folk festival in rhode island |
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| renamed by english, means “new scotland”, originally Acadia |
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| triangle, essential percussion instrument |
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| know where it is, cajun culture developed and thrived |
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| music of assimilationist cajun music, Hackberry ramblers |
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| musicians who started the rebirth of cajun music who were returning vets |
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| genre of music developed by Chanier and other creole musicians. got the name from the song “beans aren’t salted”. often electrified(piano and back beats) |
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