| Claude Debussy is especially known for his |
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| opposition to program music |
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| John Cage, Aaron Copland, John Adams |
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| A composition would always end with |
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1. tone that falls in between two steps of the scale
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2. repeating chord progression, 12 measures long, that structures a blues song
3. repetition of the first line, followed by a different line
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| The most famous impressionist orchestral work Prelude to “the Afternoon of a Faun” was inspired by a poem by |
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| Important composer of ragtime music |
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| Neoclassical compositions are characterized by |
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| forms and style features of earlier periods |
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| New techniwue of singing halfway between speech and song |
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| Instrument found in rhythm section of jazz ensemble |
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| Ragtime music is primarily played on |
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| Prelude to the Afternoon of a Faun; Impressionist |
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| Guillaume de Machaut, Hildegard of Bingen |
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| Giovanni Pierluigi da Palestrina |
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| J.S. Bach, Arcangelo Corelli, Antonion Vivaldi |
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| Main keyboard instrument of the Romantic period |
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| Classical period orchestra usually included |
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| a string section and pairs of woodwind instruments (flutes, oboes, clarinets, bassoons) |
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| Instrumental music in the Classical period |
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| became more important than vocal music |
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| The form of rondo might be |
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| Minuet was always in a meter of |
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| Examples of program music |
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| Examples of nonprogram music |
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| One unusual feature of Beethoven’s Symphony No. 9 is |
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| it has choir and vocal soloists |
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| Composer of virtuoso piano music in the 19th century |
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| Trend in Italian opera to write about everyday characters and events was known as |
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| 2 violins, 1 viola, and 1 cello |
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| Technique NOT used in Berlioz’s Symphonie Fantastique |
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| New type of singing found in Classical period comic operas |
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| Composer that only wrote piano music |
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| In Wagner’s operas, a melody associated with a dramatic element such as an object, character, or idea |
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| Both Beethoven and Mozart played |
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1. intense emotional expression
2. interest in bizarre or supernatural
3. interest in combining elements of different art forms
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| First movement of a Classical concerto |
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| has two expositions in the first movement |
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| Minuet is generally used for |
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| 3rd movement of a Classical symphony |
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| Form when music is repeated for all the stanzas of a song |
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1. exposition, development, and recapitulation
2. employed as 1st movement of a symphony
3. preceded by a slow introduction
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| Each individual part of a chamber music composition is played by |
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| In Beethoven’s works, the 3rd movement is not a minuet but a |
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| How many symphonies did Beethoven write? |
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| Most symphonies have how many movements |
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| Most concertos have how many movements? |
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| A string quartet usually consists of how many movements? |
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| First composer to write a large number of important string quartets |
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| Texture of Renaissance music |
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| No instruments to accompany the voices |
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| Texture of Gregorian chant |
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| Wrote earliest extant of polyphonic setting of entire Ordinary of the Mass |
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| Renaissance is known as the Golden Age of |
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| Flute-type instrument popular during the medieval and renaissance, which was end-blow instead of side-blown like the modern flute |
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| Keyboard insturment popular in the Baroque period |
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| chamber music genre in Baroque period |
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| Accompaniment in Baroque music |
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| The Renaissance madrigal began in |
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| Instruments that may appear in a basso continuo group |
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| keyboard, bass, harpischord, organ, cello, and flute |
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1. more passionate
2. clear meter and regular rhythms
3. conveys what character feels about events
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1. without perceptible meter or beat
2. tells what is happening on stage
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| First major opera and composer |
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| L’Orfeo by Heinnich Schutz |
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| J.S. Bach spent his entire career living and working in |
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| How many performers do trio sonatas usually involve? |
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| Characteristics of Renaissance music |
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| imitation, polyphonic, word-painting |
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| Most important instrument in church |
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| Earliest keyboard instrument |
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| In trio sonata, how many high instruments and how many instruments for basso continuo? |
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| Oratorios are often based on |
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| Earliest polyphonic music |
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| Baroque operas were often based on |
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| Opera started by who in what century? |
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| Florentine Camarado in the 16th century |
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