| Bellini “Casta Diva” from Norma |
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| 1831, Italian Serious Opera, singing style |
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| Mendelssohn, Overture of a Midsummer’s Nights dream |
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| 1826, concert overture, musical image, Donkey |
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| Chopin Polonaise op. 53 “Heroic” |
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| 1842, Piano Character piece, Piano Accompiament, Performing technique |
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| Schubert, Gretchen am Spinnrade |
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| 1814, lied, Compositional technique, modified astrophic form |
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| Liszt, Hungarian Rhapsody no. 6 |
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1846, piano Character piece, compositional technique
sec 4: Friska
Romanticism |
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| Berlioz, Symphonie Fantastique, e de dix, 5th movement |
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| 1830, program symphony, compositional technique |
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New type of music brought in by Beetoven
Reaction to the “Enlightenment” |
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| Letter from Beetoven to his brother about being deaf. |
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| Type of joy in Beethoven symphony no. 9 first movement |
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| Beautiful singing used in Italian Opera |
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| Finale at the end of the act of a comic opera |
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| Instrumental music without extra idea |
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| Instrumental music with extra idea |
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| Solo piano music with extra idea |
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| Polish Dance music from Chopin |
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| Music representing Night time |
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| Practice music used in Performance |
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| Musical form, music repeated in every stanza |
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| Started by Lizst, his type of concert |
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| Phenomina, Europe tour that brought in many fans for Liszt |
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| Melody that is unsymmetrical, depicted lady in Fantastique |
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| Catholic chant for the dead |
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