In a sonata form movement, a concluding section following the recapitulation and rounding off of the movement by repeating themes or developing further
first section of a sonata form movement, which sets up a strong conflict between the tonic key and the new key; and between the first theme and next theme
second section of a sonata form movement, in which themes from the exposition are developed and the music moves through several different keys
third section in a sonata form movement in which the first theme, bridge, second theme, and concluding section are presented more or less as they were in the exposition but all the principle material is now in the tonic key
short musical idea that is developed within a composition
in a melody, the immediate repitition of a melodic pattern on a higher or lower pitch
Kochel catalogue
chronological and thematic register of the works of Mozart. arranged into 24 categories
Completed Mozarts Requiem
concerto grosso
composition for several instrumental soloists and a small orchestra; common in late baroque
Group of castrated boy singers to retain high voice range, most important category of vocal soloist of opera in baroque period
estrhazy, Nikolaus
hungarian prince with close ties to Joseph Haydn. Patron to Haydn
in baroque music, a set of dance-inspired movements all written in the same key but differing in tempo, meter, and character
Composition in several movements, usually written for chorus, one or more vocal soloists, and instrumental ensemble. The church cantata for the Lutheran service in Germany during the baroque period often includes chorales.
: Extended composition for instrumental soloist and orchestra, usually in three movements: (1) fast, (2) slow, (3) fast.
Emotional states like joy, grief, and agitation represented in baroque music through specific musical languages.
In Italian, refrain; a repeated section of music usually played by the full orchestra, or tutti, in baroque compositions.
Form that can be represented as statement (A); contrast (B); return of statement (A).
In baroque music, an instrumental composition in several movements for one to eight players. In music after the baroque period, an instrumental composition usually in several movements for one or two players.
minuet & trio
Compositional form—derived from a dance—in three parts: minuet (A), trio (B), minuet (A). Often used as the third movement of classical symphonies, string quartets, and other works, it is in triple meter and usually in a moderate tempo.
Text of an opera
Compositional form featuring a main theme (A) that returns several times in alternation with other themes, such as A B A C A and A B A C A B A. Rondo is often the form of the last movement in classical symphonies, string quartets, and sonatas.
order string quartet movements
Fast movement

Slow movement

Hire a custom writer who has experience.
It's time for you to submit amazing papers!

order now

Dance-related movement

Fast movement

basso continuo
Baroque accompaniment made up of a bass part usually played by two instruments: a keyboard plus a low melodic instrument.
french overture
Common opening piece in baroque suites, oratorios, and operas; usually in two parts: the first slow, with characteristic dotted rhythms, full of dignity and grandeur; the second quick and lighter in mood, often starting like a fugue.
Variation of a fugue subject in which the subject is presented by beginning with its last note and proceeding backward to the first
Compositional procedure used in fugues, in which a subject is imitated before it is completed; one voice tries to catch the other.
well-tempered clavier
Bach explored with unprecedented thoroughness systems of tuning instruments that enabled a composer to write in all twenty-four keys, even keys with many sharps or flats.
art of the fugue
is a collection which displays all the resources of fugue writing.
Bach’s 3 main positions
D maj

C minor

G min

how many vivaldi concertos
Well over 500

claimed 107533?

Wrote Orpheus, earliest operatic masterpiece and received very little pay
the singing of a single syllable of text while moving between several different notes in succession
the basic element of Western and Eastern systems of musical notation prior to the invention of five-line staff notation
each syllable of text is matched to a single note