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| orchestral composition, usually in four movements, typically lasting between 20 and 45 minutes, exploiting the expanded range of tome color and dynamics of the orchestra |
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| instrumental music having no intended association with a story, poem, idea, or scene; nonprogram music |
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| instrumental music associated with a story, poem, idea, or scene, often found in the romantic period |
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| no symphonies in no symphonies in |
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| Bach’s sons (New Classical) |
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| Classical/Romantic Period |
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| romantic; around 1750s, during revolutions |
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| Giovanni Battista Sammartini |
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| Symphony in D major, JC 16 |
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| Symphony in D major, JC 16 |
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I. Alla breve
II. Andante sempre piano
III. Presto |
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| Symphony #49 in f minor “La passione” |
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| Symphony #49 in f minor “La passione” |
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I. Adagio
II. Allegro di molto
III. Menuet
IV. Finale: Presto |
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| Symphony #7 in A major, Op. 92 |
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| Symphony #7 in A major, Op. 92 |
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I. Poco sostenuto-Vivace
II. Allegretto
III. Presto-Assai meno presto
IV. Allegro con brio |
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| Symphony #9 in e minor, Op. 95 “From the New World” |
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| Symphony #9 in e minor, Op. 95 “From the New World” |
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I. Adagio-Allegro molto
II. Largo
III. Scherzo: Molto vivace
IV. Allegro con fuoco |
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I. Moderato
II. Allegretto
III. Largo
IV. Allegro non troppo |
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| Concerto in D major for Guitar (lute), RV 93 |
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| Concerto in D major for Guitar (lute), RV 93 |
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I. Allegro giusto
II. Largo
III. Allegro |
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| Concerto Flute and Harp in C major, K. 299 |
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