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| The instrument itself is vibrating |
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| An instrument where the membrane vibrates |
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| putting accent in unexpected places |
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| vibrating air that creates waves |
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| The highness or lowness of a sound |
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| Distance between two notes/pitches |
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| The interval of notes and instrument or vocalist can achieve |
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| Timbre // quality of sound // way to describe music |
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| The amount in which something occurs |
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| Cancels out sharps or flats |
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| Number of beats per measure |
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| Connects two notes smoothly so it isn’t played again |
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| Three notes played in the time of two |
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| A series of single tones that add up to a whole |
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| motive, melody or theme repeated at a higher or lower pitch |
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| three notes played “triad” |
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| sounds that create a clash |
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| C-Jam Blues // The concept of creating a piece at a given point |
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| changing keys over a long period of time |
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| Young Persons Guide to the Orchestra |
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| Benjamin Britton // Legato // Themes // Variations |
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| layering of sound and how the layers relate to one another |
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| single unaccompanied medley |
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| two or more equally important melodies happening simultaneously. |
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| combining several melodies into a meaning whole. |
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| when a melody is played and later repeated |
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| one medley with a chordal accompaniment |
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| Georges Bizet // Staccato / Homophonic |
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| Melody // Rhythm // Tone Color // Dynamics // Harmony // Texture // Form |
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| Bourre // Minor // Sequence // Phrase |
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| Tchaikovsky // Ternary Form (three parts) A (aba) |
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