|
|
| French artistic movement of the late 19th/early 20th century; Vague forms/rhythms; extended harmonies; colorful orchestrations |
|
|
|
| Late 19th century artistic movement that stressed suggestion over precision; linked w/ impressionism |
|
|
|
| Early 20th century artistic movement in Germany & Austria; concerned w/ showing raw, often disturbing emotional states |
|
|
|
| Compositional technique developed by Schoenberg in which all 12 tones of the chromatic scale are used as a structural unit. |
|
|
|
| Reaction to Expressionism & Serialism; Similar in style to Romantic music. |
|
|
|
| Music in which some or all sounds are generated or manipulated electronically |
|
|
|
| Late 20th century musical style that uses repetitive patterns and surface-level figuration combined with slow or static harmonic foundations. |
|
|
|
| Music which is structured by indeterminacy, or chance. |
|
|
|
lack of developmental techniques,
freeform, lack of tonal structure
non-functional harmony
use techniques of old composers, but not structure |
|
|
|
| Serialist, very mechanical, link to old tradition, still writes gigues, not trying to redefine a genre, rhythmic and motivic unity |
|
|
|
neo-romantic, identifies himself with the common man
chooses to write in an accessible way
rejects academic serialism
nationalist: american folk music/style
use of pentatonic scales
simple harmonic influence of jazz and blues |
|
|
|
| music with recorded sounds |
|
|
|
| use of spoken word in music |
|
|
|
|