CD 1 Track 8 – Duel Song; Inuit drum dance |
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ARCTIC 1) heterophonic 2) membranophone 3) community decides winner 4) men only 5) vocables and text 6) drum pattern Long Long Short Long 7) varying tempo |
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CD 1 Track 9 – I’m So Happy; Inuit drum dance |
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1) Homophonic 2) Membranophone – hit on rim 3) Inuit drum dance 4) strophic 5) small range 6) duple 7) vocables 8) Man learned song while hunting and taught it to woman |
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CD 1 Track 10 – Sayuun; Inuit Drum Dance Song |
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1) vocables 2) white gloves 3) men only 4) monophonic singing 5) purpose: telling stories and entertainment 6) sporadic accents |
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CD 1 Track 11 – Nirdlirayartak; Inuit Throat Singing |
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1) aerophone 2)inhaling & exhaling to create sound 3) purpose entertainment and warm up 4) only women 5) rhythm is created by interlocking parts |
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Subarctic CD 1 Track 13 – Tea Dance (Dogrib) |
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1) acapella 2) vocal pulsations 3) purpose to honor the caribou 4) duple meter 5) vocables |
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Northwest Coast CD 1 Track 14 – Lawisala (Hamatsa)(Kwakiutl) |
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1) begins with man’s yell and tremolo 2) duple 3) uses log drum & rattles 4) accents before each section change 5) small range |
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CD 1 Track 15 – Drinking Song (Haida) |
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1) monophonic 2) vocal pulsations 3) vocables & text 4) strophic 5) slow tempo 6) duple meter |
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Great Basin CD 1 Track 18 – Bear Dance Song (Ute) |
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1) monophonic solo 2) vocables 3) duple 4) steady tempo kept by pulsations 5) uses a rasp to help keep beat 6) song form is AAB (high to low) |
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CD 1 Track 19 – Sun Dance (Ute) |
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1) duple meter 2) steady beat 3) uses whistle made out of eagle bone 4) Monophonic 5) AAB (high to low) 6) vocables |
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Southwest CD 2 Track 1 – The Sacred Moon is Right Before Us Again (Navajo) |
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1) sporadic tempo and transitions into steady tempo 2)duple 3) monophonic 4) native text 5) uses rattles |
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CD 2 Track 2 – Yeibichai (Nightway Song) (Navajo) |
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1) high range, where men sing in their falsettos 2) uses rattles 3) duple meter 4) vocables 5) monophonic 6) call & response 7) vocal pulsation 8) purpose: healing |
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CD 2 Track 3 – Mountain Spirit Dance (Apache) |
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1) begins with water drum 2) uses sleigh bells 3) structured into AB form 4) only men 5) duple meter 6) imitating owl 7) steady drum tempo |
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Women choose men to dance Jelly or nah? “We aren’t alone” 1st day of spring sharing resources rasp imitates thunder/bear growl puberty vocables: “Ya heya” High to low |
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Standing thirsty 4 day fast community participation central pole that people stand around sponsored by a person in crisis that needs power extreme physical torture eagle bone whistle interview with Jimmy Dick |
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women
tell story sync mvmt line of oldest to youngest |
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round dance/caribou/friendship
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to remember and be thankful for ______ “water” or “land-earth-sky-water-everything” energetic steps 6 hours-all night move in clockwise circle purpose: honor caribou |
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Navajos 9 day ceremony Sand Paintings: put sick person on it and heal them Teams rehearse Clowns try to mess up teams People purify themselves before |
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Coming of age: girl becoming a woman Paint her white: white shell woman On pure ground Host: medicine man 4: sacred number – cross 4 stages of life: infancy, adolescence, maturity, old age
3 days: 1. Purify girls and dancers 2. Majority of dancing 3. More dancing – only text |
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Secret society of cannibals Bakbak: maneater, flew down to eat man Man was sent to forest to become like Bakbak–comes back to show that he can overcome it after 4 rounds of singing
different masks to represent Bakback 3 different raven masks 1-raven eating human eyes 2-sucking out brains 3-producing great human fear |
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Great Basin Wevoka: N. Paiute medicine man creates this
restores life before the white man came to America
forbidden after Wounded Knee because the stories couldn’t be proven
Native americans don’t feel welcome in North. America |
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ceremony: people give away everything celebrate marriage idea: good chief dies poor banned in 1800 |
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ancestors of pueblo’s spirits people dress up like it (only men) doll educate the right way to live (clowns are opposite) take prayers to people |
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ceremonial room for Pueblo people |
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Any Origin Story (Very General) |
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Raven, Eagle, Wolf, Killer Whale
tell you who you can marry matriarchal no written language totem poles |
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chewing drug to get high believe it will bring healing the sacred moon is right before us |
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long/slow periods eskimo: ears of raw flesh inuit: snowshoe netter songs are powerful; good luck for hunting
Instruments: drum w/ wooden handle & jaw harp style: repetitive, monophonic, small range structure: strophic syllabic purpose: pass time, keep warm, settle disputes, celebration, competition song comp: men create while hunting alone and teach to women dance steps: upper body motion unique: throat singing, taliun, sayuun seal stomach drums |
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Dogrib: woman bore dogs Handkerchief/Hand games get together annually |
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Instruments: Rasp, whistle, bass drum Singing style: repition, higher pitches, monophonic Song structure: AAB, paired phrases purpose: spring, puberty, crisis Composition: comes from spirits Dance steps: women choose men, dance like a bear Unique: rasp
UTE: Land of Sun NAture based identities Polygamous |
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Instruments: log drum, rattle, whistle Singing style: monophonic (except hamatsa) Structure: Strophic, ABABA Purpose: potlatch, exorcism, drinking, everything Composition: spiritual sources Dance steps: not much, except hamatsa Unique: potlatch, hamatsa, wealthy, production
complex melodies with chromatic intervals polyphony whistles/rattles/log drums |
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Sim. to NW Coast Art and Development -plenty of resources Influenced from Plains and Spanish -horses -roman Catholicism
Tribes: Hopi, Navajo, Apache
Good Irrigation: Forests, deserts, mesas
Corn, beans, squash, cotton
sheep herding
clay pottery, turquoise, woven blankets
beadwork, papoose |
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Adobe: ladders provide defense |
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Receive songs from ancestors (guardian spirits, perhaps while dreaming) Sweat songs request purification: pain relief, hunting success Influenced by other regions Theme: endurance to obtain power Songs: Individual or community owned |
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