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| ordained chant as official music of Cath. church |
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| monophonic vocal muisic; offical music of catholic church until 1950s? |
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| scales other than major or minor; different patterns of whole and half steps |
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| one note per syllable of text |
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| several notes per syllable of text; 2-5ish |
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| early polyphonic music 2-4 voices |
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| one of the first people to compose organium; both graduated from Notre Dame w/ MA; Notre Dame School |
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| fixed melody used as a bases for a polyphonic texture composition |
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| Kyrie, Gloria, Credo, Sanctus, Agnus Dei |
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| printing started around 1450; made books available to the masses |
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| polyphonic choral composition set to something other than the mass ordinary; in latin |
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| Italian church music composer |
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| homo or polyphonic composition for several voices set to a short secular poem |
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| murder his wife b/c of affair; composer of madrigals |
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| English; text painting in madrigals |
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| music representation of a poetic image |
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| German; composed La Bouree; music theorist |
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| Church; Gabrielis worked here as music directors |
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| two or more vocal choral piece |
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Ave Maria . . . virgo serena
Flemish
points of imatation
dissonance |
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German nun
ran a nunnery
composer of the nunnery’s music |
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French
composed the first complete mass ordinary |
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