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Strongest beat, the downbeat, in Tala |
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Set of two drums Played with hands Many types of sounds possible from each drum |
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Face-to-Face interaction, descriptive details |
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A certain trait originates in one location and then spreads outward from that location Tried to describe spread of practice |
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Musician, composer, music collector, and important preserver of Irish Traditional Music in the 20th century. Most well-known as a piper, but also sang |
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Complete and self-contained melodic system Set of pitches Ornaments and melodic moves Rules and procedures for dealing with notes and ornaments |
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Music made by amateurs for their own community use Not for making music Usually learned through oral tradition and passed down from one generation to the next |
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Typical form for traditional Irish dance music is AAAB Metric Highly Repetitive Usually without voice Highly ornamented melodies Performed at ceilis and sessions Traditional-Neo-Traditional-Post-Traditional |
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Rhythmic framework in Hindustani music Metric cycle of a certain number of beats Includes strong and weak beats Basic beat embellished by sitar and tabla players |
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Music made by professionals for the enjoyment of others Meant to have mass appeal Intended to make money for the performer/composer/producer Tradition of sound recordings may be involved |
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Plucked string-instrument Primarily melody instrument Melody strings and sympathetic resonance strings |
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Music made by professionals for others to enjoy Intellectual stimulation and expression Not solely for making money, though expenses are involved due to professional performers Often includes written notation and/or explicit theory High level of specialized training |
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Plucked string instrument Plays drone (repeated note or chord) Often replaced by modern sruti box |
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Island settled by Celtic tribe approximately 4-5 century BCE Importance of diaspora to preservation of Irish traditional music |
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