| Chinese Songs for the Masses |
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| “We Workers Have Strength” and “Internationale” |
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| “Ye Shanghai,” “Having Nothing,” and “Blessing to My Mother” |
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| Popular Indonesian music among tourist (trance) |
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| “Qu’ran dan Koran” – Indonesian pop music |
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| e.g. “Nhemamusasa” – Trance-like, buzzy echo-y, Lamellophone -focused on hierarchy |
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| e.g. “Ala l’a ke” – Vocal imrpov is called citarro, Barintango is instrumental improv, Donkilo is composed, used vocables |
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| “Gadzo” – Drumming and drumming groups, community |
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| Post-WWII African Popular |
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| “Salome” – IK DARO AND THE BLUE SPOTS (ACCORDION, Dundun, clave, bongo) – and “Chitima Ndikature” |
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| Talking drum in Yorubian culture |
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| stringed instrument in Chinese culture |
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| (Pentatonic, Heterophony, improv)Programatic title (Flowing water) |
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| Female role in Chinese music |
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| Instruments in traditional Chinese Music |
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| Gongs, erhu (Bowed string)arias |
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| What Javanese music included? |
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| Swing, samba, calypso, e.g. “Salome” – IK DARO AND THE BLUE SPOTS |
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| Volture Speis – tourism – Layered tempo and sounds |
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| Indoneisian that praised and shot down technology |
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