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| rhythms grouped in threes |
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| a quiet dynamic; an instrument |
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| includes an exposition, a development and a recapitulation |
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| takes the musical themes and builds on them |
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| each stanza of song gets the same music |
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quick, dance-like movement in triple meter
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Hint: “scare” – fast, quick,
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| sing and talk, style of opera in which some text is spoken rather than entirely sung |
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| idea which is repeated at a higher or lower pitch level |
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streching the tempo: slowing it down and speeding it up for expressive purposes
Hint: It’s rude to strech someone out.
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| music that is inspired by a story or idea unrelated to music |
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| one-movement form found in music that tells a story |
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| secondary theme that serves to accompany the first |
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musical form that follows the ideas of the composer and does not have a formal structure.
Hint: Thoughts of composer
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| sliding between one note to the next |
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1770-1827
Hint: L looks like a 7 and B looks like an 8
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| Camile Saint-Saens (Dates) |
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| John Philip Sousa (Dates) |
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1854-1932
*Think of civil war*
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1898-1937
*Think of the 20s*
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Form: through-composed
Composer: Franz Schubert
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Form: Tone poem and through-composed
Composer: Camille Saint-Saens
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Form: compound binary form
Composer: John Philip Souza
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Form: Tone poem and sonata-allegro form
Composer: Paul Dukas
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Forms: jazz piano concerto and orchestra extional form
Composer: George Gershwin
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| Theme and Variations on Simple Gifts/Appalachian Sprin |
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Forms: Orchestral compostitio
Composer: Aaron Copland
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| showy solo passage, sometimes improvised, introduced near the end of an aria or a movement of a concerto |
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| a shifting of the normal accent, usually by stressing the normally unaccented beats |
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| a melodic phrase, often constantly repeated, forming an accompaniment or part of an accompaniment for a soloist. |
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| same melody, entire way through |
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