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| if you dont know these….come on >< |
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| increase in volume of a particular phrase or passage in a song |
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| Term applied to 20th century composers who use the forms blah blah blah |
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| a blurring of classical forms |
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| a large composition for orchestra 4 mvts |
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| the practice of two or more musicians simultaneously performing slightly different versions of the same melody |
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| two or more voices each with its own lmelody thus creating a rich texture of sound |
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| an interval that is one half of a semitone or half of a half step |
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| ordering pitch, dynamics, instrumentation, rhythm and on occasion other elements into a row or series in which each is assigned a numerical value within the series) |
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| SIMULTANEOUS CHORD COMPRISED OF CONSECUTIVE TONES SEPARTED CHROMATICALLY: FOR INSTANCE THE TONES C C# D D# E AND F HELD AT THE SAME TIME |
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| BARTOK (HUNGARIAN) HAD HABIT OF USING FOLK MUSIC |
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|
NOCTURNES
LA MER
CLAIRE DE LUNE |
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| FRONTAL TEMPORAL DEMENTIA |
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| Maurice Ravel supposedly succmbed to it |
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| dynamics articulation tempo |
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| impressionistic music usually lacks |
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| hard lines and distinct shapes |
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| debussy was going to be a |
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| debussy’s most powerful characteristic |
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| composition without music |
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