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| Ockeghem, can be sungin mode 1, 3,4 or 7. Reading the music according to one of the four different clef combinations and using musica ficta to avoid tritones. |
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| Ockeghem, notated in two voices but sung in four, using the four prolations of mensural notaiton. |
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| Innsbruch ich muss dich lassen |
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| Henricus Isaac, melody is in superius. Clear structure and sweet harmony made it very appealing. Favors contrafactum |
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| The first published collectino of music for virginal, containing variations, dances, preludes, fantasias, and other genres by William Byrd, John Bull, and Orlando Gibbons. |
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| The best-known, first dance treatise of the Renissance by Thoin Arbeau (Jehan Tubouret) |
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| A collection of 25 madrigals by 23 composers. In honor of Queen Elizabeth the first. |
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| Lament in memory of Ockeghem, by Jean molinet, set to music by Josquin des Prez. |
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| three volume cycle of settings of the texts and melodies of the Proper for most of the church year, by Henricus Isaac. |
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| Genevan Psalter, Sternhold and Hopkins, Bay Psalm Book |
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| Books of metrical psalms. Bay Psalm Boo kwas the first book published in the North America (by the pilgrims) |
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| one of the first instrumental ensemble pieces to designate specific instruments and also contained the earliest dynamic markings in music by Giovanni Gabrieli |
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| An example of English variation technique, based on Dowland’s lute song, Flow my tears. By William Byrd. |
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| Collection of fantasias for vihuela by Luis Milan |
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| Music from across the alps, Italian Madrigals translated into English by Nicholas Yonge. |
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