|
|
| Negotiating with publisher or agent of publisher (Harry Fox); legal permission given by the writer/publisher to make a commercial recording of copyrighted music |
|
| compulsory mechanical license |
|
| procedures/fees set forth in copyright law (9.1c) |
|
| negotiated mechanical license |
|
| publishers and record label bypass compulsory licensing and work out their own license |
|
| Performance License (small right) |
|
| issued by performing rights organization (ASCAP BMI SESAC) to radio stations, TV, MTV, clubs hotels, colleges |
|
|
|
| granted by performing rights society to licensed venues, usually for one year, covers all music |
|
|
|
| negotiated between broadcasters and publishers, bypasses performing rights organizations; single fee for performance and synch rights. fee is for small portion instead of entire catalog |
|
|
|
| right to use music timed to, synchronized with, or realted to the action on the screen. films shown in US require both sync and performance license is negotiated with publisher (not performing rights society) |
|
|
|
| music used by syndicated programs. in-flight entertainment, music library services; requires both mechanical and performance license, may be in one agreement or seperate contracts |
|
|
|
| negotiated with publisher; musical greeting card, toys and dolls, lyrics used in books, highest earning in a broadcast commcercial |
|
|
|
| negotiated with jukebox operator, copyright owner, and involvement of the performing rights society. JLO contacts jukebox owners and offers blanket license covering music from all three performing rights organizations |
|
|
|
| issued and administered by copyright office, secondary transmissions use compulsory licenses for MTV HBO shotime are negotiated through performing rights organizations |
|
| Dramatic Music right (grand right) |
|
| negotiated directly with publisher (performing rights organization not included) operas, musicals, shows, revenues |
|