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Neil Hefti
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Ernie Wilkins
Frank Foster
Quincy Jones
Billy Byers
Sammy Nestico
John Clayton
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Marshal Royal(lead alto)
Lester Young(tenor)
Eddie “Lockjaw” Davis(tenor)
Eric Dixon(tenor)
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Snookie Young(lead trumpet)
Thad Jones
Joe Newman
Buck Clayton
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| Count Basie Trumpet players |
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Al Grey
Al Aarons
Henry Coker
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| 4 trump, 4 bone, 2 alto, 2 tenor, 1 bari, rhythm section |
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| Wrote specifically for his band |
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| wrote more music than any other artist in history |
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| Fewer personnel changes than any other jazz band |
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Ellington at Newport
Live at the Blue Note
And His Mother Called Him Bill
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| Duke Ellington Sax players |
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Johnny Hodges(alto)
Harry Carney(Bari)
Paul Gonzolvez(tenor)
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Clark Terry
Ray Nance
Cootie Williams
Cat Anderson
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Britt Woodman
Lawrence Brown
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Billy Strayhorn (wrote Ellington’s theme)
Juan Tizo(valve trombone)
Gerald Wilson
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| Duke Ellington instrumentation |
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4-5 trumpet
3-4 trombones
1. lead alto
2. alto/clarinet
3. tenor
4. tenor/ clarinet
5. bari/ bass clarinet
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-He thought there should be bands doing more than rhythm changes/blues
-“cool jazz” style(little/no vibrato complex arrangements
-put together a small group called Progressive Jazz
– popularized afro-cuban jazz
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City of Glass
New Concepts of Artistry and Rhythm
Contemporary Concepts
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| Stan Kenton instrumentation |
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| 5 trumpet, 5 trombone, 5 sax(1 alto/2 bari), 4 rhythm |
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| Jerry Mulligan, Marty Paich, Bill Holeman, Johnny Richards, Bill Russo, Gene Rowland |
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Lee Konitz(alto)
Art Pepper(alto)
Bill Perkins(tenor)
Jack Nimitz(bari)
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Maynard Ferguson
Al Porcino
Canti Candoli
Jack Sheldon
Sam Noto
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| Bobby Burgess, Frank Rozalino, George Roberts |
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| Woody Herman instrumentation |
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3 tenor, 1 bari
5 trumpets
3 trombone
4 rhythm and vibes
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Keeper of the Flame
… Big New Herd at Monterrey Jazz Festival
Giant Steps
The Concord Years
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| Ralph Burns, Nat Pierce, Shorty Rogers, Bill Chase, John Fedchalk, John Capolla |
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| Tenor- Stan Getz, Zoot Simms, Al Cohn, Gene Ammonds, Sal Nestico, Serge Shaloff |
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Bill Harris
Phil Wilson
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| Bill Chase, Red Rodney, Don Rader, Pete and Canti Candoli |
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| Stan Getz, Surge Shaloff, Zoot Simms and Al Cohn |
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-student of modern music
-loved using quarter tones
– birth of the “cool”
-Jerry Mulligan did most of the writing
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Birth of the Cool
Miles Ahead
Porgy and Bess
Sketches of Spain
…. and ten
Out of the Cool
The individualism of ..
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| Maynard Ferguson instrumentation |
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| 3 trump, 2 tromb, 1 alto, 2 tenor, 1 bari |
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| Willie Maiden, Mike Abene, Jacki Byard, Slide Hampton |
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Lanny Morgan(alto)
Jimmy Ford(alto)
Ronny Cuber(bari)
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A Message from Newport
..61
..62
Come Blow Your Horn
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| Buddy Rich instrumentation |
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| 4 trump, 3 tromb, 2 alto, 2 tenor, 1 bari |
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| Phil Wilson, Bill Holeman, Oliver Nelson, Don Piestrup, Don Penza |
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The New One
Swingin’ New Big Band
Wham
Mercy, Mercy
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Jay Corre(alto)
Quinn Davis(alto)
Richie Cole(alto)
Don Merina(tenor)
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You Better Believe It
Moment of Truth
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| Gerald Wilson instrumentalists |
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Organ- Richard “grooves” Holmes
Trumpet- Carmel Jones
Sax- Herals Blond
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I Get a Boot out of You
Art Pepper Plus Eleven
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| Marty Paich instrumentation |
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| 2 trump, 2 tromb, 3 sax, vibes |
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| Don Ellis instrumentation |
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| 5 trump, 3 tromb, 5 sax, 3 bass, 2 drummers, 1 percussion, 1 sitar, 1 organist |
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Live in 3 2/3/4
Electric Bath
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Afro American Sketches
The Blues and the Abstract Truth
More Blues and the..
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Quintessance
The Great Wide World of..
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Concert in the Rain
The Concert Jazz Band
*no piano
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