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| played clarinet and was the 1st notable saprano sax player; lots of vibrato |
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| Stride piano player from Detroit; trumpet style piano; could keep up with Louie Armstrong |
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| Characteristics of Chicago Style Dixieland |
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party music of the 1920s
piano, sax, and guitar were added
emphasis on 2 and 4
high energy; complex |
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| what instrument was rare in New Orleans Dixieland? |
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| characteristics of ragtime |
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complex form; no improv
piano, combo, or orchestra
righthand somewhat formal
lefthand basenote/chord |
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| two influential cornet players |
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| Louis Armstrong and Bix Beiderbeck |
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| rhythm instrument in Dixieland New Orleans… |
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| new orleans front line instruments and their purposes |
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cornet: melody
clarinet: decorated melody
trombone: outlined chords |
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| characteristics of boogie woogie |
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| 12 bar blues; repetitive basenote; shuffle rhythm; lots of improv; upbeat; piano, combo, or orchestra |
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| Charcateristics of New Orleans Dixieland |
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| collective improv; flat four rooted by banjo; less improv per sq. inch; recording are terrible quality |
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| singing the melody with sounds that imitate instruments |
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| characteristics of stride piano |
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poptunes/showtunes; lefthand basenote/chord
righthand syncopated
improv
always piano
can combine styles |
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| what was the essences of new orleans dixieland |
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| marching bands (european and complex form) |
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| why were wood blocks used in first recording studios |
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| drumsets caused too much vibration; the needle would move |
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the father of jazz
cornet player |
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| the father of stride piano |
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1st musician to write down jazz
best known ragtime piano player |
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| best piano player of the 20th century |
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