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| short range, fewer notes, drum brushes, more relaxed, unusual time signatures, pianoless quartet |
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| more energy, drummers used sticks, more aggressive, “returning to the roots of jazz”, balanced and pretty, 4:1 cadence, electric organ appears |
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| related to cool, conscious effort to combine classical and jazz, uses orchestra instruments, more complex/classical form, less impro |
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| just about anything, reoccuring theme with free form in the middle, no predetermined chord progression, no piano, as it got more free it became less popular |
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| influenced by rock, electric bass introduced, attention on rhythm, solos drop in and out, end with fade out |
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| 1st to introduce idea of playing in complex time signatures; piano cool |
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| 1st to create a piano-less quartet; played baritone sax; cool |
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| Instruments introduced during the cool period are… |
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| string instruments, flugalhorn, flute, oboe, french horn, bassone |
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| 1st piano player to play funky/hard bop stype |
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| took vertical improv as far as it could go; popularized soprano sax |
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| Miles Davis is best known as a… |
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| The most famous/best ’50s quintet of Hard Bop was… |
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| Max Roach and Clifford Brown’s quintet |
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Playing on modes was pioneered by…
and popularized by… |
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| Bill Evans and Miles Davis |
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| most popular fusion group b/c they had a sense of dynamic and lasted a long time |
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| Why did drummers return to the lower arsenal of drums in fusion? |
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| because they had to keep time and be louder than all the other instruments. |
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