standard speed for tape
15 or 30 IPS (inches per second)
print through
echo sound
editing
removal of unwanted noise and reordering or replacement of recorded material
splicing
physical action of cutting the tape and reassembling it
shuttling
switching rapidly and repeatedly between the fast forward and rewind switches
rocking
slower, more accurate form of shuttling done by hand
2 fundamental kinds of microphones
dynamic and condenser
2 kinds of dynamic microphones
moving coil and ribbon
transient response
response time of microphone
3 directional characteristics
Omnidirectional
Bidirectional
Unidirectional
XLR connector
plugs into the bottom of the microphone
diaphragm
flexible substance under tension vibrates in responce to changes in atmospheric pressure caused by compression and rarefaction of molecules of a sound wave
moving coil microphone
wire in magnetic field is attached to diaphragm which causes it to move in concert with diaphragm. free electrons within wire begin to flow as a result of movement
SPL
sounds pressure level
ribbon microphone
diaphragm is thin, metallic ribbon, very fragile
condenser microphones
capacitor capable of storing and discharging an electrical charge
best vocal microphones
lavalieres
body microphones
2 types:moving coil and electric capacitor
boundary microphones
attached to stiff, sound reflecting surfaces
shotgun microphones
picks up sound from greater distance and more clarity
wireless microphone systems
broadcast on specific radio frequencies
requires transmitter, antenna, and receiver
bidirectional
sensitive front and back
omnidirectional
equally sensitive in all directions
unidirectional
sensitive in front
monitor
subjective standard or reference
active loudspeaker
amplifier used
passive loudspeaker
no amplifier used
crossover
properly distribute sound to each speaker
frequency dividing network
near field
close to listener
maximizing direct energy
far field
full range
a lot of power
braod frequency response
infinite baffel
wall encloses speaker
bit rate of CDs
16 bit
theory of speakers
magnet used to convert electrical nergy into physical movement which causes the mechanical motion of diaphragm that initiates the sound wave
3 types of speakers
moving coil
ribbon
condenser/electrostatic
ribbon speaker
handle higher frequencies
thin metal strip
electrostatic/condenser speakers
very rare
moving plate
mid-range drivers
reproduce frequencies between woofers and tweeters
3 types of studio monitors
bookshelf speakers
sound cubes
enclosures
bookshelf speakers
how mix will sound on “normal” speakers
sound cubes
how mix will sound on inexpensive stereo systems
enclosures
boxes that hold speakers
eliminate errant vibrations
line arrays
used for concerts/arenas
impedance
resistance
2 main parts of digital audio file
header and audio data
header
store info about the files: resolution, sampling rate and type of compression
WAV
default format on Windows
uncompressed and take up a lot of space
AIFF
default audio format for Macs
compression creates compatibility problems
PCM (Pulse Code Modulation)
storing and transmitting uncompressed digital audio
representation in binary
DPCM (differential pulse code modulation)
simle form of lossy compression
4 bits to store difference
nyguist theorem
sample rate must be twice the highest frequency that we wish to sample
non-lossy/ lossless
minimally reduce data 2:1 compression
loosy
store more data
sounds worse
MIDI
Musical instrument digital interface
used by synths and sequencers to communicate
SMPTE
Society of motion picture and television
time based code used by machine to stay synchronized
amplifier
takes signal and increases amplitude
omnidirectional mic examples
both dynamic and condenser
bidirectional examples
ribbon