Perfect Authentic Cadence (PAC)
V – I (tonic is the highest pitch of I)
Perfect Authentic Cadence (PAC)
V7 – I (tonic is the highest pitch of I)
Root Position Imperfect Authentic Cadence (IAC)
V – I (^3 is the highest pitch of I)
Root Position Imperfect Authentic Cadence (IAC)
V – I (^5 is the highest pitch of I)
Inverted Imperfect Authentic Cadence (Inverted IAC)
V6 – I
Inverted Imperfect Authentic Cadence (Inverted IAC)
V – I6
Leading Tone Imperfect Authentic Cadence (LTIAC)
viid – I
Leading Tone Imperfect Authentic Cadence (LTIAC)
viid – i
Deceptive Cadence
V – vi
Deceptive Cadence
V – IV
Plagal Cadence
IV – I
Plagal Cadence (rare example)
ii6 – I
Half-Cadence
I – V
Phygian Half-Cadence
iv6 – V