| considered first significant evangelical hymn writer |
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| Mighy Fortress is Our God |
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| considered Ambrose of German Hymnody |
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| Matin Luther recived his hymns from what sources? |
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| Liturgy, Pre-Reformation vernacular, Secular folk songs, Scripture, Cantiones, Works of creativity |
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| First collection of polyphonic settings of choral tunes for choir |
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| John Walter’s Geistlieche Gesangk Buchelyn, 24 Harmnizations were published in Lyons and later on 83 psalms in Paris |
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| Hymnal with soprano in top |
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| Funfzig Geistlieche Lieder und Psalmen by Lukas Osiander (50 Spiritual Songs an Psalms) |
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| religious thought emphasizing personal religious experience, shifted emphasis on objectiveness to subjectiveness, created out of Thirty Years War |
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| the most prominent name associated with muisc development in the 18th century |
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| Reason Bach was considered most prominent name of 18th century |
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| his incorporation of the choral in is church cantatas, chorale-based organ compositions, and 4 part chorale harmonization |
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| collection of Anabaptist Hymnology |
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| known as Hussite or Bohemian Brethren because they were followers of John Huss |
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| First Tune Book Published by Moravians in Europe; date published |
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| Choralbach der Evangelischen Brufergemeinen in 1784 |
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| Calvin’s philosophy on music |
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| simple to people, modest to Sovereign God |
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| recognized value of Christian song to nourish piety and church worship |
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| arrangement of psalms into stophic form with rhyme and poetic meter |
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| Reformed Churches rejected ____ in favor of ____ |
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| prose psalmody, metrical psalmody |
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| Metrical Psalmody sung at Geneva characteristics |
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| followed pattern of popular songs of the day, mny songs were inheried from trouvere and troubadors of previous centuries |
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| influenced Calvin’s metrical psalmody |
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| Calvin’s early collection of metrical psalmody |
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| Calvin’s early collection of metrical psalmody |
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| pacticed metrical psalmody, believed in unison voices for simplicity |
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| successor of Marot, wrote psalm versifications until 1562 (when a collection of all 150 psalms was prepared for publication) |
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| noted composer who assisted Calvin, Psalm 42, tunes were based off secular chansons and were carfully designed for ease of singing by congregation |
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| aka Whole Book of Psalms, written by Sternhold and Hopkins |
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| no other publication has influenced Christian song as this has; made up of materials from previous psalters; intiated by John Calvin and his belief in singing directly from Scripture; contained 125 diff melodies in 110 diff poetic meter |
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| experimented with making metrical psalm versions in English and ballads (suggests they were to be sung in familiar ballad tunes of his day) |
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| psalter, school teacher, clergyman |
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| practice of naming tunes after places |
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| challenged Old Version, published by Tate and Brady |
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| French composer of the tunes for the psalters of Geneva |
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| A Psalter for displaced English Protestants in 1556 and 1561 |
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| “The Forme of Prayers and Ministration of the Sacrament” |
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| disciple of Purcell, tried to break down restriction of only using whole ad half notes by writing King Norton |
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| outstanding hymnal of the 17h century, most used duing Luther’s time, written by Cruger (1644), by 1736 had 44 editions |
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| The Practice of Piety through Music |
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| Praxis Pietatis Melica definition |
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| rhythmic vitality in early chorales differed from isometric chorale (equal note value) |
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| major collection of Moravion hymns |
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| edited Whole Book of Psalms which later became known as Old Version |
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| highly influenced German Hymnody |
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| 2 important psalters by Sternhold and Hopkins |
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| Anglo-Genevan Psalter and The Sternhold and Hopkins Psalter |
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