| Events and date leading to Civil Rights Movement |
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| Brown vs. Board of Ed. Of Topeka, Kansas 1954 |
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| the Civil Rights Movement |
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| cultural associations outside music, A sense of black pride, Hairstyles, clothing, Food, handshakes, etc |
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| Regional differences, Emotional expression of the 60s black experience, and Melismatic vocal gospel |
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| Live at the Apollo did what for James brown |
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| istbl him as Soul innovator |
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| “I Got a Woman” singer, date |
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| “Papa’s Got a Brand New Bag, Pt. 1” singer and date |
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| The 1st #1 hit for both the Supremes and Holland/Dozier/Holland. |
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| The highest charting hit at #2 for Sam and Dave in 1967 |
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| Taking a short musical phrase (2 or 4 bar phrase) and repeat it over and over again |
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| known for grouping soul and gospel |
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| Born MS Delta, son of preacher |
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| when did Sam Cooke cross over to soul |
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| “You Send Me” #1 pop hit date and singer |
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| based on Dylan’s “Blowin’ in the Wind” |
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| “A Change in Gonna Come” Sam Cooke |
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| Motown was Formed by and when |
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| tightly controlled family business Weekly production |
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| Influenced by wall of Sound |
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| basement studio ; overdubbing, other techniques used |
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| Funk Brothers consisted of |
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| E. Van Dyke, B. Benjamin, James Jamerson, bass |
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| Smokey Robinson, B. Strong, N. Whitfield, Ashford and Simpson, |
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| The most successful songwriting/production team |
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| Holland, Dozier, Holland (HDH) |
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| Produce 46 Top 4 and 12 #1 hits |
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| Holland, Dozier, Holland (HDH) |
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| “Stop! In the Name of Love” group, writer, year went #1 |
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| The Supremes (#1 1965), written and produced by HDH |
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| Isaac Hayes and David Porter STAX records |
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| Memorable for melody and lyrics in Motown |
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| early in the Motown and sung “Mr postman” |
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| gospel influenced voice, keyboards, drums, excelled at harmonica |
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| “Fingertips Pt 2” singer and year went to #1 |
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| Little Stevie Wonder 1963 |
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| Made political statements with songs |
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| “Inner City Blues (Makes Me Wanna Holler)” |
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| “Respect” singer and where it was recorder, when and with whom |
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| Arthea Franklin, recorded in New York, with the Muscle Shoals Rhythm Section in 1967. |
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| When did went “Reach, I’ll Be There” go #1 and who was it written by |
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| in 1966 Holland Doizer Holland |
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| sung “Reach, I’ll Be There” |
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| “My Girl” year went number one, writter and singer |
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| 1965 (Smokey Robinson) The Temptations |
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| “Where Did Our Love Go” singer and year went #1 |
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| “You can Hurry Love” singer and year went to #1 |
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| “Heatwave” singer and year went to #4 |
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| 1963 Martha and the Vandellas |
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| “I Want You Back” singer and year went to #1 |
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| this groups First four singles went to #1 |
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| char. of Memphis,in the late 1950s |
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racially segregated
“transracial” attitude exists among musicians |
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| who started and what year satellite records later to be known as STAX |
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| Jim Stewart’s sister and year she joined STAX |
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| When Stax records is born |
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| “Cause I Love You” sung by and produced with |
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| Rufus and Carla Thomas STAX |
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| Live, spontaneous, punchy, emotional, tight, and not overly produced |
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| Stax in-house rhythm section |
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| by chance w/o clear business plan |
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| Isaac Hayes, David Porter |
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| Had a Live, spontaneous session environment |
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| Has punchy, emotional, tight, not overly produced sound |
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| “Hold On, I’m Comin’” sung by and year and who it was produced with |
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| Events Leading to the demise of Stax(4) |
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Death of Otis Redding
realization of sold masters to Atlantic
racial tensions increase from Dr. martin Luther King Jr murder,
IRS investigation |
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| Brooker T and the MG’s, Otis Redding, Wilson Pickett , Sam and Dave |
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| “In the Midnight Hour”and who it was produced with |
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| “Soul Man”sung by and year it went to #2 and who it was produced with |
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| “Shake”sung by and who it was produced with |
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| “Green Onions” sung by and year it went to #3 and who it was produced with |
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| Brooker T and the MG’s 1962 STAX |
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| What record company had Aretha sing in Jazz and when |
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| James Wexler allowed Aretha sing how and with whom |
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| in her natural style and with, Muscle Shoals |
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| Year Aretha Franklin signed with Atlantic |
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| “I Never Loved a Man (the Way I love You)” Singer and year it went to #9 |
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| Aretha Franklin (#9 1967) |
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| “Respect” singer ,year went to #1 and recording studio |
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| Aretha Franklin 1967 Atlantic |
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| Early 20th century; renewed interest in |
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| Folk interest energy renewed by (4) |
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Preservationists,
Political organizations
Wobbilies: Little Red Songbook, Socialist groups |
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| Wrote songs about the plight of the common man |
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| Talking blues vocal style |
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| “Pretty Boy Floyd” year recorded, by whom and charc. of song |
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March 1939,
Woody Guthrie
uses his distinctive talking blues singing style. |
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| Becomes famous as member of the Weavers |
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| when did Folk becomes popular alternative to rock and roll |
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| “House of the Rising Sun” who sang it, on what album, and characteristics of song |
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Joan Baez
Joan Baez’s self-titled album
most traditional of folk songs |
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| “Tom Dooley” person and year went number 1 |
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| “Banana Boat (Day-O)” person and year went #5 |
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| Year and person who introduces Bob Dylan on tour |
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| important publications in Folk scene |
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People’s Songs
Sing Out!
Broadside |
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| (#35 1962) Peter Paul and Mary |
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| “Just Like a Woman” written/sung by, when, what album and where |
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Bob Dylan
1966
Blonde on Blonde
recorded in Nashville |
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| The Freewheelin’ Bob Dylan came out in |
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| songs on The Freewheelin’ Bob Dylan |
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| “Blowin’ in the Wind”- “A Hard Rain’s Gonna Fall”-. “Masters of War. “Oxford Town” |
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| when did Bob Dylan start working with Paul Butterfield Blues Band, and “the band” |
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| when where basement tapes recorded |
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| The Times They Are a Changin’ came out in |
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| Album that Est. Dylan as leader of the folk community |
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| The Times They Are a Changin’ |
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| “A Hard Rain’s A-Gonna Fall” Written/Sung by, Album it was on, and meaning |
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Bob Dylan
Freewheelin’ Bob Dylan,
what a post-nuclear world might be like. |
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| “Like a Rolling Stone” Singer, Album, year, # on charts, imp char |
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1965
Highway 61 Revisited,
#2
imp in showing the potential of folk and rock. |
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| Year Blonde on Blonde came out when and by whom and where it was recorded |
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| 1966 Bob Dylan Nashville TN |
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| Bringing it All Back Home songs |
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| “Subterranean Homesick Blues”, “Mr. Tambourine Man” |
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| Bringing it All Back Home came out in and by whom |
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| Bob Dylan’s importance; (3) |
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imp of lyrics,
brought ‘anybody can do it’ ethos, influential singer/songwriters |
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| Managed the beatles and what did for them |
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| Brian Epstien; moptop haircuts, mohair suits |
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| Beatles audition tape and when it was made |
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| Beatles first album and release date |
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“Please, Please Me”
March 22, 1963 |
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| Second Beatles album and release date |
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| With the Beatles November 22 1963 |
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| Imp Venues Beatles played at early on |
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| Reeperbahn and the Cavern Club |
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| Year Beatles met with Dylan |
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| Third Beatles Album and year released |
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| 4th Beatles album and year |
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| 5gh bealtes album and year |
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| Album with more lyrics take on more meaning |
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| 1st album of psychedelic era and year released |
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| two songs about childhoods of songwriters in Liverpool and author |
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| Penny lane (McCartney), Strawberry fields Forever (lennon) |
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| 1st rock album w/ lyrics printed inside cover |
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| Sgt. Pepper’s Lonely Hearts Club Band |
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| “Lucy in the Sky with Diamonds” written by and album |
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| Sgt. Pepper’s Lonely Hearts Club Band (Lennon), |
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| “She’s Leaving Home” author and album |
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| Sgt. Pepper’s Lonely Hearts Club Band (McCartney) |
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| “Within you, without your” Author and album |
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| Sgt. Pepper’s Lonely Hearts Club Band (Harrison) |
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| “Day in the Life” author and album |
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| Sgt. Pepper’s (Lennon/McCartney) |
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| Magical Mystery Tour release date and type |
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| 1967 Extended play (EP)- only 6 songs |
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| Our World TV program; date |
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| Only beatles double album |
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| The Beatles (the white album) |
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| Happiness is a Warm Gun album and author |
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| Helter Skelter album and author |
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| the beatles white album (McCartney) |
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| Revolution 9 album and author |
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| The Beatles White Album (Lennon) |
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| Blackbird album and author |
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| The Beatles White Album (McCartney) |
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| Album Originally to be named Get Back |
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| Last album made and release date |
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| Abbey Road September 26, 1969 |
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