|
|
| Wandering students and clerics who composed songs on varying topics. |
|
|
|
| Same latin as english Juggler – played in courts (lower class than bards or minstrels) Jack of all trade type acts. |
|
|
|
| Developed from Jongleur – they were specialized musicians |
|
|
|
| Northern France vernacular poet-composers |
|
|
|
|
|
|
| Southern France vernacular poet-composers |
|
|
|
| German knightly poet-composers, minne (love) minnelieder (love-songs) mostly about duty and service that reflected loyalty |
|
|
|
| a treatise written about organum (the basis of the first polyphony) |
|
|
|
| An architectural design of the mid 12th century |
|
|
|
And architectural design from 11th- early 12th century
Included rounded arches and Frescoes (painted plaster) |
|
|
|
surviving songs from troubadour and trouvere
many still survive |
|
|
|
|
|
|
|
|
|
|
|
|
| German Love-songs by Minnesinger |
|
|
|
Over 400 songs in Gallican-portuguese in honor of the Virgin Mary
Spain! |
|
|
|
| Medieval Dance music in triple meter |
|
|
|
Introit
Gradual
Alleluia
Offertory
Communion |
|
|
|
Kyrie
Gloria
Credo
Sactus
Agnus Dei |
|
|
|
| sung before and after the psalm |
|
|
|
| music accompanying the mass service |
|
|
|
| call and response between soloist and choir/congregation |
|
|
|
|
|
|
| two halves of the choir alternate singing |
|
|
|
| chants in which almost every syllable is 1 note |
|
|
|
|
|
|
| chant includes melismas (more than 6) |
|
|
|
a new addition to church chant
adding more words, melody, extending melismas, expanding from the original text, (neumatic) |
|
|
|
|
|
|
Nun famous for her prophecies.
Germany
Compositional gestures: Wide ranges, melodic figures, rising 5th followed by stepwise decent, circling around a cadential note, leaps spanning an octave or more |
|
|
|
| Principal voice with a addition voice moving at a 5th below |
|
| Mixed and Oblique Organum |
|
| Used to avoid tritones in the voice below the Principal |
|
|
|
| Improvised parts – within limitations written in treatise |
|
|
|
| Tenor voice (5th below) keeps the principal melody while the upper voice sings note groups |
|
|
|
| Tenor and Principal Voice moving at the same rate with 1-3 notes in the upper voice per note in the tenor. |
|
|
|
| The upper voice (like in Viderunt omnes) carrying out melismas over a tenor drone. In Organum |
|
|
|
| a 3-voice organum (on and on with more voices) |
|
|
|
Took over after Organum and conductus fell out of fashion
(Notre Dame) |
|
|
|
| A clause; self-contain part of the Organum |
|
|
|
| Guy who did a lot of organum (polyphony) |
|
|
|
| Poetic paraphrases of several books of the Bible |
|
|
|
| voices trade phrases, emphasizing dissonances before resolving to the 5th and octave above the tenor |
|
|
|
| Motet tenor (preexisting melody) |
|