|
brief musical ideas merge to create a blurred outline |
|
|
Dialogue between two voices or instruments. Think iPod headphones. |
|
|
When a musical shape is mirrored. For example, played on an ascending scale, then on a descending scale. |
|
|
Usually a passage from the bible set to music. |
|
|
trumpets, sound important. |
|
|
bowed string instruments being bowed more than one string at a time. |
|
|
for smaller orchestras. Dissonant tonal and atonal harmonies. |
|
|
Religious, sounds ‘massive’. Words can be heard such as Gloria Kyrio, etc. |
|
|
|
|
Continuous bassline. Harpsichords, etc. |
|
|
One line of music plays quavers whilst the other plays triplets. Think ‘nice cup of tea’ |
|
|
When the second voice in a fugue has different intervals from the subject |
|
|
When the second voice in a fugue has the same intervals as the subject |
|
|
crushed note before the main note. Like a grace note. |
|
|
English secular text. Sounds ‘mad’. |
|
|
Ornament. Sounds the main note, note above and the note below. |
|
|
Increases the length of notes. music will sound slower when imitated or repeated. |
|
|
notes of a chord played out one after the other |
|
|
two chords at the end of a phrase |
|
|
a passage at the end of a piece which rounds it off perfectly |
|
|
Set of dances that is part of a larger scale work |
|