|
A sequence of single notes that is musically satisfying |
|
|
The sounding of two or more musical notes at the same time in a way that is pleasant or desired |
|
|
Tonal center or final resolution tone |
|
|
A sequence of notes organized by a fundamental frequency or pitch |
|
|
A scale consisting of a series of whole steps except for half steps between the third, fourth, seventh and eighth degrees |
|
|
A diatonic scale having a half step between the second and third degrees and any of several interval arrangements above the fifth |
|
|
A rhythmic pattern defined by the subdivision of beats. Can be categorized as simple, compound, or complex |
|
|
The way the melodic, rhythmic, and harmonic materials are combined in a composition |
|
|
Lacking a clear tonal center |
|
How 20th century composers began to break from tradition & name of the movement: |
|
They began experimenting with form, tonality and orchestration as well as began stretching the definition of what music was, itself. The movement was known as modernism. |
|
How technology affected music in the 20th century: |
|
Amplification made it possible to play music to larger crowds, recording technology improved drastically, and transportation allowed for fans to travel all over the world to see their favorite artists. |
|
This composer drew from American folksongs, jazz and the culture of the Appalachian Mountains: |
|
|
This inspired “Revueltas”: |
|
Patriotism and Mexican folklore |
|
The street with the highest concentration of musicals performed in the United States: |
|
Broadway Street, Manhattan NY |
|
What John Corigliano wrote and where his inspiration come from: |
|
Naked Carmen and it was inspired by Bizet’s Carmen |
|
What Sheng incorporates into his music: |
|
He incorporated his Chinese heritage folk music into western idioms. |
|
The types of art movements related to the early 20th century: |
|
Modernism, Post-modernism, Expressionism, Neo-classicism, Neo-Romanticism, Avant Garde |
|
The compositional techniques Stravinsky uses in The Rite of Spring: |
|
Polyharmonies, polyrhythms, polytonality, changing meters |
|
The Rite of Spring is this kind of work (Genre): |
|
|
The musical genres that are precursors to Jazz: |
|
Blues, plantation songs, ragtime, west African music |
|
The first African-American blues singer to sing with an all-white orchestra: |
|
|
Some pieces of technology that affected music in the 20th century: |
|
Gramophone, computer, synthesizer, radio, recording devices |
|
The composer known as the “Dean of African-American Composers” because he was the first African-American composer to have a symphony performed by a major orchestra and an opera performed by a major opera house: |
|
|
The name of the literary, artistic and sociological movement in northern Manhattan: |
|
|
Inspiration (in general) of each movement of Still’s Suite for Piano and Violin: |
|
|
The name of George Gershwin’s opera with the famous aria called “Summertime”: |
|
|