Purcell: Chacony in G mi
instrument: strings and harpischord… meter: in 3 with accented 2…
other:
..ostinato bass: i-V65-i-iv6-V [PHC]
Couperin: Premier Prelude
sound: long trill on harpischord…
style: stile brise…
other: compound and polyphonic melody
Couperin: Troisieme Prelude
sound:
..short opening trill and descension
..bass moves
style: stile brise
technique: hemiola before PHC
Couperin: Huitieme Prelude
sound:
..quick opening trill
..lots of jumping esp with seq. (low then high with a neighbor)
..harpischord, stile brise
Corelli: Concerto grosso, Op. 6 #8: Vivace THEN Grave
sound:
..two parts
..1. three striking opening chords and dotted later
..2. morose with Picardy

other:
..ripieno/tutti
..common time and 3/4–hemiola
..Fatto per la notte di natale

Corelli: Concerto grosso, Op.6 #8: Allegro
sound:
..1-1-2-7-1
..half notes in soprano, running 8ths in bass
..strings

Hire a custom writer who has experience.
It's time for you to submit amazing papers!


order now

other:
..ripieno
..PHC at end of first section
..simple binary form

Corelli: Concerto grosso, Op.6 #10: Allemanda (Allegro)
sound:
..strings
..wedding march/distinguished/simple

other:
..rounded binary form (repeated material)
..Genre: dance movement
..Italian style
..contains non-essential 7ths (moving bass)

Corelli: Concerto grosso, Op. 6 #10: Adagio
sound:
..begins w/ 3 quarter notes then held
..in 3
..with solo fills
..short
Corelli: Concerto grosso, Op.6 #10: Corrente
sound:
..strings and harpsichord
..running 8ths in low strings (only stops at cadences)
..hemiola before cad

other:
..essential and non-essential 7ths

Handel: Suite in D minor: Allemande
sound:
..Harpsichord, echos (distant)
..in 4
..running 16ths

other:
..Italian style

Handel, Suite in D minor: Courante
sound:
..quick
..running 8ths
..in 3

other:
..

Handel, Suite in D minor: Sarabande
sound:
..slow
..in 3 w/ accent on 2
..harpsichord

other:
..two variants
..1. ta– ta ta ta
..2. running quaters in bass
..originated in “La Folia” theme

Handel, Suite in D minor: Gigue
sound:
..harpsichord
..crazy fast
..in 12 (or compound 4)

other:
..

Handel, Concerto grosso, Op.6 #8: Larghetto e affettuoso
sound:
..full strings and harpsichord
..slow and quiet with 3 loud
..cheesy “wawa” solo toward end
..in 3

other:
..Empfindsamkeit: highly emotional, expressive style

Handel, Concerto grosso, Op.6 #8: Allegro ma non troppo
sound:
..fugal
..descending chromaticisms
..single violin I begins
Handel, “Pena tiranna,” from Amadigi
sound:
..aria

other:
..da capo
..ritornello technique
..ostinato bass (circle of 5ths)

J.S. Bach, French Suite in D minor: Allemande
sound:
..1-1-5-6-4-5-3-2-1-7)
..in 4 & slow
..harpsichord
..AABB form
..running 16th almost always in an arch

other:
..

J.S. Bach, French Suite in D minor: Courante
sound:
..theme: (5-5-4-3-2-3-2-6…)
..short pick-up
..in 3
..harpsichord
..AABB form
J.S. Bach, French Suite in D minor: Sarabande
sound:
..gnarley
..in a slow 3
..built chords
..harpsichord
J.S. Bach, French Suite in D minor: Menuet I
sound:
..like a toy
..in 3
..running 8ths
J.S. Bach, French Suite in D minor: Menuet II
sound:
..in 3 with trill on second beat
..running 8ths
..harpsichord
J.S. Bach, French Suite in D minor: Gigue
sound:
..harpsichord
..dotted rythms: [ta] ta- ta ta- ti ti ti
..in 4
J.S. Bach, Fugue from Toccata in E minor
sound:
..piano
..in 4 slow 16th running
..jumping
..fugal
..3 voices

other:
..i to v relationship (5 in i & 2 in v)

J.S. Bach, Fugue 2 in C minor
sound:
..piano
..subj. (1-7-1-5-6)
..picardy 3rd
J.S. Bach, Fugue 11 in F Major.
sound:
..running 16ths
..subject (5-6-5-4-5)
..piano
J.S. Bach, Fugue 16, G Minor
sound:
..subject (5-6-1-7-1)
..someone humming?
..piano

other:
..answer in d mi.
..invertable counterpoint

J.S. Bach, Fugue 21, B-flat Major
sound:
..subject (5-6-5-1-3-2)
..piano

other:
..tonal answer

J.S. Bach, Cantata #78, “Jesu, der du meine Seele” mvt. 1
sound:
..instrumental (w/ oboe) then choral
..closes with instrumental

other:
..chorale in the genre of chaconne with fugal technique and entries

J.S. Bach, Cantata #78, “Jesu, der du meine Seele,” mvt. 7
sound:
..choral straight up
..”Herr ich glaube hilf mir Schwachen”
..bar form
J.S. Bach, Mass in B minor, Agnus Dei II
sound:
..built up from bass voice
..trumpet later
..”Dona nobis pacem”

other:
..no countersubject
..two subjects, two answers
..A1 is real, A2 is tonal

Purcell: Suite in D Major, Prelude
sound:
..1-3-2-1-5
..harpsichord
..stile brise
..trill then descending into another trill
..short
Purcell: Suite in D Major, Almand
sound:
..opening: 1-3-2-1-5-5
..harpsichord in slow 2
..running 8ths
..much symcopation in middle voice
..AABB form
..opens with built chord
..fluttering descension
Purcell: Suite in D Major, [Hornpipe]
sound:
..quick, in 3
..harpsichord
..running 8ths
..flickering (trills at begin of mm)