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| The breaking up and scattering of people |
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| Area north of the sahara desert |
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| peoples primary goal is not artistic, rather music that helps coordinate worker efforts. |
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| 7 note major scale (G A B C D E F# G) |
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| African musical qualities |
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| duple metered melodies
Western harmony
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polyrythm
repitition
improvisation |
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| Cultural influences to African music |
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| True or false
Participation is encouraged in the African music making proccess. |
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| the proccess of learning one’s own culture gradually during childhood |
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| True or false
African music is primarily an artistic procces |
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| True or False
African music is community based |
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| Music and Dance of the Ewe people
percussion section and chorus of voices. Bells, rattles and various drums.
Complex polyrhythm. War drumming originally, now funerals. Call and response. Details in text |
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a group of people’s total involvement with music: ideas, actions, institutions,
artifacts. |
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| Music’s power to create an emotional impact. |
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| group that carries the traditions and norms of performance. |
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| The act of performing music along the basis of agreed-on rules. |
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members of a hereditary clan of’ drummers. Ghana, Government
sponsoring preservation |
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| gungon and luna—Talking drums |
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the drum’s sound closely imitates Dagbanli, the spoken
language of the Dagbamba. Lunsi “talk” and -sing” on their instruments. Details in text |
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| –thumb piano. 3:2 rhythms prevail |
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a constantly repeating
pattern |
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