admin 13 Dec 2017 0 Comments LUIS MILAN (1500 – 1560)El Maestro3 tempos:Espacio: SlowAppriesa: ModerateBatido: Very Fast LUYZ DE NARVAEZ (1526-1560)Book of DelphineFirst to use differencias ALFONSO MUDARRA (1510-1580)Three Books in Tableture for Vihuela FRANCESCO DA MILANO (1497-1643)lutenistwrote fantasies and ricecrares JOHN DOWLAND (1563-1626)lutenist JOHN CARLES AMAT (1586)5 COURSE SPANISH GUITARTABLETURE USED NUMBERS FOR SPECIFIC HAND SHAPES Hire a custom writer who has experience. It's time for you to submit amazing papers! order now LUIS DE BRICENO (1626)VERY EASY TO LEARN AND PLAY THE SPANISH GUITAR GIROLAMO MONTESARDO (1606)NEW WAY TO PLAY GUITAR WITHOUT NOTESALFABETO BENEDITTO SANSEVERINO (1620)USES ALFABETO WITH CAPITAL(MAJOR) AND LOWERCASE(MINOR) CHORDS. COLONNA (1620, 1623)SOPHISTICATED TRANSPOSITION FOSCARINI (1621- 1649)DEVELOPED STRUMMED (RESGUEDO) AND PLUCKED (PUNTEADO) STYLES PETRO DEVISSE (1650- 1732) MASTER OF COMBINING BOTH RESGUEDO AND PUNTEADO STYLES GASPAR SANS (1674) JS BACH (1685- 1750) SCARLATTI (1685-1750) VIVALIDI (1678-1741) Related posts: Music History Early Classical Musicol 240: exam 1 listenings HOR Exam 4 World Music Exam – Where in China does the documentary take place? Music Literature – Exam 3 final exam Final Exam Composers, Dates, and Compositions Listening Exam 3 Music History Grad School Entrance Exam Terms (4/10)