Exam 1

LUIS MILAN

(1500 – 1560)
El Maestro
3 tempos:
Espacio: Slow
Appriesa: Moderate
Batido: Very Fast

LUYZ DE NARVAEZ

(1526-1560)
Book of Delphine
First to use differencias

ALFONSO MUDARRA

(1510-1580)
Three Books in Tableture for Vihuela

FRANCESCO DA MILANO

(1497-1643)
lutenist
wrote fantasies and ricecrares

JOHN DOWLAND

(1563-1626)
lutenist

JOHN CARLES AMAT

(1586)
5 COURSE SPANISH GUITAR
TABLETURE USED NUMBERS FOR SPECIFIC HAND SHAPES

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LUIS DE BRICENO

(1626)
VERY EASY TO LEARN AND PLAY THE SPANISH GUITAR

GIROLAMO MONTESARDO

(1606)
NEW WAY TO PLAY GUITAR WITHOUT NOTES
ALFABETO

BENEDITTO SANSEVERINO

(1620)
USES ALFABETO WITH CAPITAL(MAJOR) AND LOWERCASE(MINOR) CHORDS.

COLONNA

(1620, 1623)
SOPHISTICATED TRANSPOSITION

FOSCARINI

(1621- 1649)
DEVELOPED STRUMMED (RESGUEDO) AND PLUCKED (PUNTEADO) STYLES

PETRO DEVISSE

(1650- 1732)
MASTER OF COMBINING BOTH RESGUEDO AND PUNTEADO STYLES

GASPAR SANS

(1674)

JS BACH

(1685- 1750)

SCARLATTI

(1685-1750)

VIVALIDI

(1678-1741)