| The four main properties of musical sounds are pitch, dynamics, tone color, and |
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| The relative highness or lowness of a sound is called |
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| A tone in music is a sound that |
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| The distance in pitch between any two tones is called |
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| The distance between the lowest and highest tones a voice or instrument can produce is called |
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| Dynamics in music refers to |
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| a degree of loudness or softness |
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| A gradual increase in loudness is known as a |
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| A gradual decrease in loudness is known as a |
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| Tone color is synonymous with |
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| A part of an instrument’s total range is called a |
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| The ________ is a regular, recurrent pulsation that divides music into equal units of time. |
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| The element of music defined as the ordered flow of music through time, or more specifically, the particular arrangement of note lengths in a piece of music, is |
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| The organization of beats into regular groups is called a |
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| The first, or stressed, beat of a measure is known as the |
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| When an accent occurs on an unexpected beat, the effect is known as |
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| The term ___________ refers to the rate of speed of the beat of the music. |
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| A gradual slowing-down of tempo is indicated by the term |
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| In musical notation, pitches are written on a set of five horizontal lines called a |
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| a series of single notes which add up to a recognizable whole. |
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| A melody is said to move by steps if it moves by |
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| Staccato refers to playing or singing a melody |
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| in a short of detached manner |
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| A smooth, connected style of playing a melody is known as |
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| A part of a melody is called a |
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| A melodic phrase ending that sets up expectations for continuation is known as a(n) |
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| a resting place at the end of a phrase. |
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| A melody that serves as the starting point for a more extended piece of music is called a |
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| Sequence may be defined as |
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| the repetition of a melodic pattern at a higher or lower pitch. |
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| _____________ in music adds support, depth, and richness to a melody. |
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| The musical element that refers to the way chords are constructed and how they follow each other is |
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| a combination of three or more tones sounded at once. |
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| A consonance is a combination of tones that |
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| is considered stable and restful. |
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| A combination of tones that is considered unstable and tense is called a |
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| When a dissonance moves to a consonance, it is called a |
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| The central tone around which a musical composition is organized is called the |
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| a central tone, scale, and chord. |
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| Tonality is another term for |
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| a shift from one key to another within the same composition. |
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| Musical texture refers to |
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| how many different layers of sound are heard at the same time.
what kind of layers of sound are heard (melody or harmony).
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how layers of sound are related to each other. |
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| The texture of a single melodic line without accompaniment is |
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| When two or more melodic lines of equal interest are performed simultaneously, the texture is |
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| When a melodic idea is presented by one voice or instrument and then restated immediately by another voice or instrument, the technique is called |
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| Homophonic texture consists of |
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| one main melody accompanied by chords. |
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| the organization of musical ideas in time. |
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| Retaining some features of a musical idea while changing others is called |
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| Repetition is a technique widely used in music because it |
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| creates a sense of unity.
helps engrave a melody in the memory.
provides a feeling of balance and symmetry. |
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| Forward motion, conflict, and change of mood All come from |
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| A musical statement followed by a contrasting statement and then a return of the original statement would be called |
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| Three-part form can be represented as |
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| A B A.
A B A’.
statement, contrast, return. |
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| The form consisting of a musical statement followed by a counterstatement would be called |
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| In music, _________ refers to a characteristic way of using melody, rhythm, tone color, dynamics, harmony, texture, and form. |
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| Farandole from L’Arlesienne Suite No. 2 |
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| Young person’s guide to the orchastra |
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| Bourree from Suite in E Minor for Lute |
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| Prelude in E Minor, Op. 28, No. 4 |
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| Dance of the Reed Pipes from Nutcracker Suite |
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