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| 1st century. Greek. Hymn composer. |
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| 16th century. German. Composed hymns that inspired the development of congregational singing within Christianity |
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| 16th century. German. Hymn text writer. |
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| 16th century. German. Hymn text writer. |
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| 16th century. French. Poet who began translated the Psalms, worked for Calvin. |
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| 16th century. French. Finished translating the Psalms and finished the book started by Marot. |
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| 16th century. French. Composer who wrote “Old 100th”. |
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| 16th century. English. The editor of text of the first English metrical version of the Psalms (“Old Version”). |
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| 16th century. English. Editor of music that worked with Sternhold on the first English metrical version of the Psalms (“Old Version”). |
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| 17th century. English. Author, who promoted the introduction of hymn singing in the Baptist churches, also wrote about hymnody. |
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| 18th century. English. The first prolific and popular English hymn writer and composer. |
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| 18th century. English. Hymn writer and composer. |
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| 18th century. English. Hymn text writer, wrote “Amazing Grace”. |
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| 18th century. English. Mystical hymn writer. |
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| 19th century. English. Translated Latin hymns into English. |
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| 19th century. English. Translated German hymns into English. |
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| 19th century. English. Composer and collector of English folk music and song. |
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| 20th century. English. Hymn composer. |
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| 20th century. English (but born in the Netherlands). Hymn composer. |
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| 20th century. American. Hymn composer. |
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| 20th century. American. Hymn composer. |
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| 20th century. American. Hymn tune composer. |
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| 18th century. American. Hymn tune composer. |
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| 18th century. American. Hymn tune composer. |
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| 19th century. American. Composer, wrote about hymnody and wanted to teach everyone about music. |
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| 19th century. American. Publisher of hymn collections. |
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| 19th century. American. Gospel singer and composer. |
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| 19th century. American. Lyricist of gospel songs. |
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| 19th century. American. Tune composer for Crosby’s hymns. |
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| 19th century. American. Composer. |
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| 20th century. American. Publisher and served on the committee that created the 1982 Episcopal hymnal, hymn writer. |
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| 20th century. American. Hymn writer. |
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| 20th century. American. Hymn lyricist and author. |
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| Hymn based on New Testament canticle |
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| “While Shepherds Watched Their Flocks” |
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| “O Come, O Come, Emmanuel” |
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| “O for a Thousand Tongues to Sing” |
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| “God Moves in Mysterious Ways” |
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| Hymn form the Oxford Movement |
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| “All Glory, Laud, and Honor” |
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| Hymn tune from the Victorian Era |
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| Hymn tune by Oliver Holden |
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| Hymn tune by Lowell Mason |
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| English translation of a German hymn |
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| “Spread, O Spread, Thou Mighty Word” |
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| English translations of a Latin hymn |
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| “Jesus, the Very Thought of Thee” |
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| Hymn about the Holy Spirit |
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| “Come, Holy Spirit, Dove Divine” |
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| The first book printed in British North America. The book is a Psalter, first printed in 1640 in Cambridge, Massachusetts. The Psalms in it are metrical translations into English. |
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| Musical Characteristics of American folk hymn tunes |
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| simple language, ballad form, and country colloquialisms. |
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| wrote the first collection to include tunes for folk hymn, United States’ Sacred Harmony. |
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| principle leader in the Regular Singing movement; wrote Introduction which went through 11 editions and was frequently bound with the Bay Psalm Book |
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| wrote “Shine, Jesus, Shine” in American pop-hymn style and gained worldwide popularity, was British |
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