|
to be played by both, as by first and second flute |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Broken octaves, lower note comes first |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Turning contrary to the normal, addressed to the strings |
|
|
|
|
Follow, continue in the same manner |
|
|
|
|
|
|
|
|
In an undertone, soft voice |
|
|
|
|
|
|
A single voice or part in the score |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The old terminology for the baton |
|
|
|
|
|
|
|
|
|
|
|
|
Hurrying, pressing forward |
|
|
Rhythmic feeling emphasized |
|
|
Varying the note values within the rhythm |
|
|
Condensing, accelerating the tempo |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Played with a light bow stroke very close to the bridge so that the quality of the tone is shimmering |
|
|
|
|
With the stick of the bow |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Light tone near the bridge so upper partials sound in the tone |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Stopped tone in French horn playing |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|