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1098-1179
Early organum and chant |
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1240-1288
Troubadore/trouvere & Motets |
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1150-1201
Notre Dame Polyphony: Two Voices |
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Late 12th century to early 13th century
Notre Dame Polyphony: three and occasionally four voice polyphony |
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1291-1361
“inventor” of ars nova, wrote motets, used isorhythm |
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1300-1377
Ars Nova
Had all of his works published in a collection (one of the first to do that)
Wrote Messe de Notre Dame (1360s) one of first complete masses by one person, one of earliest polyphonic mass ordinaries |
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1340-1386
Treccento composer of fourteenth century madrigals |
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1320-1362
Treccento composer of caccia |
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1325-1397
organist and composer of ballate, madrigals, caccia and virelai
music features consonant 63 harmonies, graceful melodies, and first consistent user of the landini cadence (tenor descends a step, upper voice descends a step and then rises a third) |
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active in 1370s
Ars Subtilior composer of formes fixes songs |
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1390-1453
Renaissance English composer of all polyphonic genres
Probably spent much of career in france, influenced continental composers |
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1397-1474
Most famous Burgundian composer: traveled widely on the continent and had a cosmopolitan style. Wrote Chansons, Chants and Motets. |
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1400-1460
Court musician at Burgundy. Contact with english and 30 years at court: central to creation of burgundian style |
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1420-1497
Famous franco-flemish composer of masses and chansons (among others) |
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1430-1492
Franco-flemish
primarily chansons: served Charles the Bold, Mary of Burgundy, and Maximilian of Hapsburg |
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1450-1517
worked for Lorenzo de Medici & HRE Maximiliam I
Many sacred polyphonic works and German Lieder |
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1450-1521
Works appear in many Petrucci anthologies, three books of Josquin masses printed
wrote many motets
clear phrasing, form, and tonality, transparent textures, imitation and homophony, careful declamation of text |
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