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| A sung solo melodic line, applies to Italian song in 17th century |
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| A pearl of irregular shape |
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| Sung form of Baroque, ABA where singers would improvise the recap |
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| Singing style of the 17th century, free and improvisitory |
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| Doctrine of Affections States |
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| Joy/Sorrow, Love/Hate, Wonder/Desire |
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| The Craft of Musical Composition |
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| Essay on True Art of Playing Keyboard Instruments |
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| Sensitive style, sentimental. Associated with CPE Bach |
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| Type of music and keys CPE Bach wrote |
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| Fantasia, mostly in minor |
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| Storm and stress. Angular shaped with extremes of emotion. Used in Haydn’s symphonies 44-49. |
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| Utility music, music written for a purpose. Associated with Hindemeth |
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| Beethoven’s 3 financial supporters |
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| Lichnowsky, Kinsky, Lobkowitz |
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| The text of the song (libro=book) |
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| Took the fire of Zeus and gave it to mortals. Zeus punished him by having a crow eat his liver each day, which grew back |
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| Literally table music, German term. For feasts and banquets. Telemann’s set has been compared to Brandenburgs |
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| What does M.G. and M.D. stand for? |
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| Main Gauche and Main Droit |
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