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| Another melody going on in the same piece |
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| Go back to the original tempo |
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| Tells you where Do is located |
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| Sing two or more notes connected smoothly |
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| Muscles that help you breathe |
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| A false voice found in men |
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| Having to do with religion |
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| Two notes that sound the same with different names |
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| Music having nothing to do with religion |
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| when a choir blends and all parts are heard equally |
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| Two or more staffs linked together |
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| to sing a note forte, then piano, then crescendo quickly |
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| To make up as you go along |
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| Dynamic changes across voice parts at different times |
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| To sing your words clearly |
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| All letters that are not vowels |
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| notes at the begining that do not belong in a measure |
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| The strictest form of imitation, two or more parts have the same melody but start at different points |
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| the first note of a key (DO) |
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| the soft tissue at the back of the roof of the mouth |
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| the most fully developed procedure of imitative counterpoint |
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| the process of changing from one key to another |
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| a rapid scale acieved by sliding up the scale instead of note by note |
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| the highest male tenor part |
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| soprano in the middle, second soprano |
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| music for religious services, easy for congregations |
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| a term for a system of expressing musical sounds through written characters called notes. |
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| beautiful singing, vocal teq. orignated in 17th century france |
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| unaccented notes which move conjunctly between two chords to which they do not belong harmonically |
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| thanks to a boy, girl, group |
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| a thin horizontal bony plate of the skull, located at the front roof of the mouth |
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| most musically acceptable timbre for a given voice |
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| quality of sound that makes your voice different |
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| the span of your voice from highest to lowest |
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| A little faster than andante |
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| a little slower than allegro |
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| to gradually become faster |
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| ( > decresc. ) decrescendo |
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| becomming louder then softer |
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| a little faster than largo |
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