WA Mozart *

Haydn *

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Billings

Classical *

1750 – 1825

Brahms *

Mendelssohn *

Bruckner *

Schubert

Romantic *

1825 – 1900

Poulenc *

Britten *

Rutter *

Kodaly *

Thomspson

Contemporary *

1900 – Present

Classical
1750 – 1825
Romantic
1825 – 1900
Contemporary
1900 – Present
Desprez *

Palestrina *

Gabrieli *

Hassler *

Praetorius *

Morley

Renaissance *

1450 – 1600

JS Bach *

Handel *

Monteverdi *

Vivaldi *

Schutz

Baroque *

1600 – 1750

Renaissance
1450 – 1600
Baroque
1600 – 1750
“Psalite unigenito”
Praetorius – Renaissance/Baroque
“Cantate Domino”
Hassler – Renaissance
“Da Pachem Domine”
Goetze – Contemporary
“Locus iste”
Bruckner – Romantic
“Your Shining Eyes”
Bateson – Renaissance/Baroque
“Now I walk in Beauty”
Smith – Contemporary
“Who Can Sail”
Agnestig – Contemporary
“Musica est Dei donum optimi”
Lasso – Renaissance
“My God is a Rock”
Shaw/Parker – Contemporary
“See the Gypsies”
Kodaly – Contemporary
“The Path to the Moon”
Thiman – Contemporary
“I’l est bel et bon”
Passereau – Renaisance
“When Jesus Wept”
Billings – Classical
“Ubi Caritas”
Durufle – Contemporary
“Brothers Sing On”
Grieg – Contemporary
“Dodi Li”
Chen – Contemporary
“Good Night”
Rao – Contemporary
“She Shall Have Music”
Page – Contemporary
“Flower of Beauty”
Clements – Contemporary
[image]Solfege sylables * 1000 AD * Hand Staff * Move-able “Do”
Guido d’Arezzo
Shape Notes *

1721

Tufts
Father of Public Music Education *

Boston *

1832 *

Move-able “Do”

Mason
20th Century *

music educator *

psychologist *

internal hearing *

“Audation” *

Rhythmic syllables

Gordon
Solfege *

move-able “Do” *

hand signals *

pentatonic scale *

Rhythmic sylables

Kodaly
eurythmics *

fixed “Do” *

hand signals *

perfect pitch *

NO rhythmic sylables

Dalcroze
Rhythmic syllables (Mississippi) *

Solfege *

Move-able “Do” *

tuned percussion instruments

Orff