|
|
| A pop-oriented R&B genre that typically featured remakes of popular standards or pop-style originals sung by black vocal groups. Doo-wop died out in the early 1960s with the rise of girl groups and Motown |
|
|
|
| A type of wordless singing, usually a fast tempo, in which the singer uses nonsense syllables in place of lyrics. Typically scat singers imitate instrumentalists. |
|
|
|
| Understanding the song not the version of the song |
|
|
|
| According to Carl Perkins, a country take on rhythm and blues, preformed mainly by white Southerners, that combined elements of country music with rock and roll. Rockabilly was most popular in the mid-fifties. |
|
|
|
| The process of recording an additional part onto an existing recording. |
|
|
|
| A term that came into use to describe the late 1950s/early 1960s rock styles that glorified the Southern California lifestyle. |
|
|
|
| A process of recording each part of a performance separately, then mixing them into a complete performance. The Beetles, along with their producer George Martin, were among the first to take full advantage of multitrack recording techniques |
|
| One of the first American rock and roll musicians? |
|
|
| Who is the “King of Rock and Roll |
|
|
| Who was the most important commercial presence in rock and roll |
|
|
| What was Bo Diddley’s most important contribution to popular music |
|
|
| Who is the ultimate architect of rock and roll |
|
|
| These two producers were among the first to elevate record production to an art, who are they |
|
|
| First time in the history of rock that music evoked a strong sense of place, which rock style is this |
|
|
| The most important and innovative of the surf music bands |
|
|
| What is one of the first Rock and Roll musician? |
|
|