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| Born in Texas, influential figure in progressive country movement. Rise to national fame in hte mid 1970s, through association with musician group “the Outlaws” |
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| leader of the Wailers, hero in Jamaia, reggae’s most effective international ambassador. songs of determination, rebellion, faith, Rastafarian beliefs. worldwide audience |
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| Born in Ft. Worth, Texas, singer-songwriter who became cult hero of progressive country movement. Never had record in country Top 40, but 15 LPs became underground classics, songs covered by prominent country musicians |
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| New York group promoted by Andy Warhol. Music was rough-edge and chaotic, loud, anticommercial. Lyrics focused on sexual deviancy, drugs, violence |
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| First punk rock band. Formed in 1974 in NYC, high-speed loud sound influenced English punk groups like Sex Pistols and the Clash-blueprint for the 1980s LA hardcore bands. projected street-tough image, but all members were middle class families in Queens |
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| Most outrageous and famous punk band, formed in 1975 in London. Creation of Malcoml McAllen who had a sex store |
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| Born in Scotland, leader of the Talking Heads. Known for his trembling, high-pitched voice and eclectic songwriting. |
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| Inspired by honkytonk and rockabilly of Bakersfield country music. Songs outlook was more intellectual and liberal. It found its way into mainstream music |
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| “Pancho & Lefty” is an instructive example of the idosyncratic sensibility of much progressive country. its composer became a cult her of the progressive country movement. |
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| potent mixture of Caribbean folk music and American R; first style of Rock era to originate in the 3rd World in Kingston, Jamaica |
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| country, bluegrass, blues & other music for urban gourmandizers |
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| the Ramones- style, city from, groups influenced by |
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| highspeed and energetic and loud, NYC, Sex pistols and the Clash |
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| The Talking Heads: style, leader of band, type of audience |
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| Artistic and explorartory, David Byrne, college students, artists, music critics |
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| The Disco movement initially emerged in Manhattan nightclubs such as the Loft and Tenth Floor, which served as social gatherings for gays |
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| Kool and the Gang, Ohio players, Chic, Whild Cherry are what groups? |
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| “Give up the Funk” of the P-Funk style has what characteristics? |
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| heavy, snycopated electric bass lines, interlocking rhythms underlain by a strong pulse, call & response, R vocal harmonies |
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