|
|
| expresses emotions, voice, same line over & over |
|
|
|
| solo song in opera, speech, conversation |
|
|
|
|
|
|
| person who writes liberetto |
|
|
|
| pieces of major composition, breaks in between |
|
|
|
| refrain/return, played by full orchestra |
|
|
|
| repeated section of music played by the full orchestra (tutti) |
|
|
|
|
|
|
| rapid alteration of notes. baroque start with upper note |
|
|
|
|
|
|
| instrumental side with story, poem. vivaldis ‘4 seasons’ |
|
|
|
| person at end of stage bailing out singers |
|
|
|
| repeated over & over throughout whole composition |
|
|
|
| ABA, ternary form (three sections). 2nd section contrasts with 1st section. 3rd section usually repeats 1st. |
|
|
|
| group of nobles who met & discussed. paved way for opera. |
|
|
|
| male singer castrated before puberty |
|
|
|
| speech with full orchestra |
|
|
|
| instrument. church sonata. slow- fast- slow- fast |
|
|
|
| chamber sonata, dance like |
|
|
|
| music material passed between small group soloists. |
|
|
|
| (to chase after) polyphonic, main melody, one main theme |
|
|
|
| pedals on organ, sustained while other music goes on |
|
|
|
| a fugue where variation is upside down |
|
|
|
| a fugue where variation is backwards |
|
|
|
|
|
|
|
|
|
| short piece performed before a more important one. often before a fugue |
|
|
|
|
|
|
| main movement before chorus |
|
|
|
| large scale composition. set to a narrative text. based on biblical stories |
|
|
|
| same throughout piece, repeated. but changes slightly different. Haydn 104 surprise |
|
| minuet & trio (type of form) |
|
| dance form. ternary, triple meter, used as 3rd movements, stately & dignified. (night music) |
|
|
|
| single movement, 3 sections, 1exposition: presented themes, 2development, 3recap: themes return, coda: end |
|
|
|
| orchestral composition. usually 45 min. tone color of orchestra |
|
|
|
| soloist composition. 1fast 2slow 3fast |
|
|
|
| soloist plays at beginning. can be improvised. |
|
|
|
|
|
|
| progress was best for humans |
|
|
|
| elaborate decorated space, science experiments. frills, curly cues, fill in space. opera, viverous, continuous stream, base instuments, programatic began. text paining continued |
|
|
|
| power shifts to middle class. balance, clarity, 4 sections of orchestra. melodies(the tunes that get stuck in your head) |
|
|
|
| italian, cremona born. early baroque. created passionate & dramatic. wrote first opera. music director. (you are dead) |
|
|
|
| grief aria(repeated), ground bass, english. buried beneath organ in westminster abbey |
|
|
|
| ‘red priest’. venice. (4 seasons) played for the hospice of mercy for orphans. music not appreciated when alive. |
|
|
|
| musical family, 20 children, most eminent organist, wrote everything but opera. only organ piece we will hear. |
|
|
|
| spent life in england, ran opera company. boss, organist. most famous for messiah, wrote in 24 days. alleluia |
|
|
|
| skilled servant, esterhousys. conducted orchestra, did everything. father of symphony (no.4) wrote many quartets (4 voices & 4 instruments) |
|
|
|
| Salzburg, austria. concert tour as a child. prodigy. wrote 41 symphonies. 35 years old died. died broke |
|
|
|
| alteration between loud & soft dynamic levels. |
|
|
|
| made up of a bass part played by 2 instruments: a keyboard plus a low melodic instrument |
|